1 00:00:00,000 --> 00:00:01,700 Is this really your final project? 2 00:00:01,720 --> 00:00:02,880 On May 20? Are you sure? 3 00:00:02,900 --> 00:00:03,133 Hmm. 4 00:00:03,133 --> 00:00:04,593 Of course. 5 00:00:04,600 --> 00:00:05,280 It's been 6 00:00:05,900 --> 00:00:07,680 so damn long since I made any money. 7 00:00:07,680 --> 00:00:08,433 I want to make money. 8 00:00:08,433 --> 00:00:10,353 I've lost patience with this play. 9 00:00:10,367 --> 00:00:12,033 How long will this drag on? 10 00:00:12,033 --> 00:00:12,953 'Despairing joy,' 11 00:00:13,113 --> 00:00:13,953 'resolve on the verge of collapse'— 12 00:00:13,953 --> 00:00:14,633 What are these words? 13 00:00:14,913 --> 00:00:15,953 How the hell do I act this? 14 00:00:15,967 --> 00:00:17,927 He must have his own ideas. 15 00:00:18,633 --> 00:00:19,793 Don't overthink it. 16 00:00:19,800 --> 00:00:22,040 Hurry, you scared me to death! 17 00:00:22,140 --> 00:00:23,950 The knocking is so damn fierce! 18 00:00:23,967 --> 00:00:24,833 Director, is that your friend? 19 00:00:24,833 --> 00:00:26,233 Isn't today a private rehearsal? 20 00:00:26,233 --> 00:00:27,503 Are we filming on a deadline, 21 00:00:27,563 --> 00:00:29,500 or hanging out with friends? 22 00:00:29,500 --> 00:00:30,780 Why did you invite friends? 23 00:00:30,900 --> 00:00:32,020 What friends? 24 00:00:32,033 --> 00:00:32,993 Isn't this your friend? 25 00:00:33,000 --> 00:00:34,233 Yes, isn't this your friend? 26 00:00:34,233 --> 00:00:36,153 Xu Lili, can you be serious? 27 00:00:36,273 --> 00:00:36,993 I am serious. 28 00:00:36,993 --> 00:00:38,033 Whose friend is here now? 29 00:00:38,033 --> 00:00:39,963 Act Four. 30 00:00:39,967 --> 00:00:41,833 Act Four, Moon, okay? 31 00:00:41,833 --> 00:00:42,393 Ah, okay. 32 00:00:42,400 --> 00:00:45,633 Fine. Say action and we'll start. 33 00:00:45,633 --> 00:00:45,763 Okay. 34 00:00:46,467 --> 00:00:47,257 Has it started? 35 00:00:47,267 --> 00:00:47,427 Yes. 36 00:00:47,433 --> 00:00:48,353 One, two, three, action. 37 00:00:48,367 --> 00:00:49,437 I want to get involved now 38 00:00:49,437 --> 00:00:50,817 because I believe in you. 39 00:00:51,057 --> 00:00:53,897 And you said this play is very important to you. 40 00:00:53,900 --> 00:00:55,980 That's why I want to help. 41 00:00:55,990 --> 00:00:56,980 Do you understand this point? 42 00:00:56,990 --> 00:00:58,930 I understand completely. 43 00:00:58,940 --> 00:01:00,660 Let's be more specific now. 44 00:01:00,740 --> 00:01:03,770 For example, Liao Wei, 45 00:01:03,820 --> 00:01:06,940 If you think you can help her 46 00:01:07,620 --> 00:01:08,530 go further, 47 00:01:08,560 --> 00:01:10,740 then let's work toward that together. 48 00:01:10,767 --> 00:01:12,007 I have no problem at all. 49 00:01:12,087 --> 00:01:14,167 If there's time on Saturday, 50 00:01:14,167 --> 00:01:15,887 we can rehearse one-on-one. 51 00:01:16,327 --> 00:01:16,687 Uh-huh. 52 00:01:17,087 --> 00:01:17,767 Ah, okay. 53 00:01:17,767 --> 00:01:18,527 Do you really understand? 54 00:01:18,533 --> 00:01:19,573 I stayed out of it before, 55 00:01:20,133 --> 00:01:23,373 because I thought it was none of my business. 56 00:01:23,493 --> 00:01:25,053 But I could see the chaos. 57 00:01:25,293 --> 00:01:26,293 Do you think it's chaotic? 58 00:01:27,000 --> 00:01:27,800 It is indeed very chaotic. 59 00:01:28,000 --> 00:01:28,560 I admit it. 60 00:01:28,567 --> 00:01:29,637 For me, 61 00:01:29,727 --> 00:01:31,317 within all this chaos, 62 00:01:31,333 --> 00:01:33,693 My biggest responsibility is to record it. 63 00:01:33,700 --> 00:01:34,860 I'm documenting it. 64 00:01:35,540 --> 00:01:37,060 And if, while documenting, 65 00:01:37,767 --> 00:01:40,007 If I intervene, 66 00:01:40,007 --> 00:01:40,967 and become the one 67 00:01:41,667 --> 00:01:43,033 responsible for keeping things safe, 68 00:01:43,033 --> 00:01:45,844 I'd put all this chaos in order. 69 00:01:45,993 --> 00:01:50,414 Once it became something tightly organized, 70 00:01:51,100 --> 00:01:51,933 the whole thing 71 00:01:51,933 --> 00:01:52,413 would 72 00:01:53,100 --> 00:01:54,620 go somewhere else. 73 00:01:54,690 --> 00:01:55,500 It would become 74 00:01:55,500 --> 00:01:56,860 the kind of thing 75 00:01:57,020 --> 00:01:59,020 successful people do. 76 00:01:59,033 --> 00:02:00,443 But I am a 77 00:02:01,133 --> 00:02:02,333 believer in humanity's surrender. 78 00:02:03,033 --> 00:02:04,673 I don't want to do those things. 79 00:02:04,700 --> 00:02:06,540 I am responsible for humanity. 80 00:02:07,233 --> 00:02:08,367 So I must 81 00:02:08,367 --> 00:02:08,667 Surrender. 82 00:02:09,367 --> 00:02:10,927 I must fail completely. 83 00:02:11,447 --> 00:02:14,900 I have to stay with the chaos to the end. 84 00:02:14,900 --> 00:02:15,240 Of course, 85 00:02:15,933 --> 00:02:16,493 once 86 00:02:17,200 --> 00:02:19,840 this production is finished, 87 00:02:20,533 --> 00:02:20,973 then 88 00:02:21,667 --> 00:02:24,147 the end really will be the end. 89 00:02:24,167 --> 00:02:26,567 Yes, this is my last breath. 90 00:02:26,567 --> 00:02:27,487 Last breath, 91 00:02:27,807 --> 00:02:29,047 I hope you use the correct words. 92 00:02:29,087 --> 00:02:29,967 It's the last breath. 93 00:02:29,977 --> 00:02:31,167 It's what you really want to say. 94 00:02:31,167 --> 00:02:34,367 I will stick to this to the end. 95 00:02:34,807 --> 00:02:35,033 Mm. 96 00:02:35,033 --> 00:02:35,953 Failure, surrender. 97 00:02:35,967 --> 00:02:36,427 Fail completely. 98 00:02:36,537 --> 00:02:37,127 Chaos. 99 00:02:37,133 --> 00:02:37,893 Yes, fail completely, 100 00:02:37,893 --> 00:02:39,133 Then surrender, right? 101 00:02:39,133 --> 00:02:39,813 It's something 102 00:02:40,333 --> 00:02:43,693 completely opposed to what you've described.