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Shoot Self with You (English Subtitles) Chinese Experimental Film / Directed by He Fa

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项目 · 人类投降派

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正式项目关系P4E-002 · 人类投降派
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这条公开视频归入「人类投降派」。以下简介依据公开视频标题与说明整理:After a three-year pandemic, a theatre director creates a play to confront his inability to love—then finds himself trapped inside the story he staged.

发布时间(UTC)
2026-07-09 05:15:31 UTC
时长
2 小时 36 分 23 秒
类型
长视频
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已存档全文
字幕语言
en、id、ja、ko

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校验时间

2026年10月18日

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e2f3bf95bec7…1a0d05e8

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  1. 0:03

    What are you doing here?

  2. 0:56

    I have to see you.

  3. 1:33

    Stop tormenting me.

  4. 1:37

    Get lost.

  5. 2:04

    I love you.

  6. 4:22

    What are you doing here?

  7. 4:27

    I have to see you.

  8. 4:39

    Stop tormenting me.

  9. 4:43

    Get out of here.

  10. 4:45

    I love you.

  11. 4:53

    That was terrible.

  12. 5:00

    No, no. Not what I want.

  13. 5:02

    Something's wrong. I can feel it.

  14. 5:08

    I want a woman.

  15. 5:20

    Damn.

  16. 5:28

    What do you think this is?

  17. 5:33

    Just

  18. 5:43

    That feeling.

  19. 6:01

    It's

  20. 6:37

    That kind, do you understand?

  21. 6:43

    You don't understand.

  22. 6:46

    You'll never understand in your life.

  23. 6:48

    You've never experienced it.

  24. 6:49

    You'll never experience it.

  25. 6:57

    This is the problem between me and you.

  26. 7:01

    Very simple.

  27. 7:03

    How to solve it.

  28. 7:05

    What's the next step.

  29. 7:07

    How to shoot it.

  30. 7:55

    I only have you two left.

  31. 8:03

    You have to trust me.

  32. 8:05

    You have to help me.

  33. 8:09

    This is not just my business.

  34. 8:23

    Can you understand me?

  35. 8:24

    Can you?

  36. 8:26

    What do you understand?

  37. 8:27

    What do you understand?

  38. 8:27

    What do you understand?

  39. 8:30

    Can you comprehend even one sentence

  40. 8:32

    One word of what I say?

  41. 8:40

    Lust.

  42. 9:06

    Do you know what failure feels like?

  43. 9:38

    Everything is wrong.

  44. 9:49

    Or maybe it was wrong from the start.

  45. 9:52

    Or maybe it was wrong along the way.

  46. 9:55

    Or maybe you have a problem.

  47. 9:56

    Or maybe I have a problem.

  48. 10:03

    Or maybe we don't have a problem but

  49. 10:08

    He's messed up.

  50. 10:12

    He's not what I want.

  51. 10:16

    What should I do?

  52. 10:28

    What should I do?

  53. 10:50

    Love.

  54. 10:55

    I want love.

  55. 11:01

    Who can give me love?

  56. 11:04

    Can you give me?

  57. 11:05

    Can you give me?

  58. 11:07

    Can you give me?

  59. 11:10

    I want love.

  60. 11:13

    Love.

  61. 11:45

    Love.

  62. 11:47

    Crap.

  63. 11:54

    Am I crazy? Crap.

  64. 11:57

    Damn it.

  65. 12:05

    I don't know how to act at all.

  66. 12:13

    I have no confidence in this shit.

  67. 12:19

    Ecstatic breakdown.

  68. 12:21

    Desperate determination.

  69. 12:23

    Screw him.

  70. 12:27

    Crap.

  71. 12:27

    Crap. Is his brain still normal?

  72. 12:30

    I'm speechless.

  73. 12:33

    I'm really speechless.

  74. 12:36

    Sigh.

  75. 12:39

    I crap love.

  76. 12:41

    I crap love.

  77. 12:43

    I crap.

  78. 12:44

    Mom.

  79. 12:53

    I think we shouldn't think too much.

  80. 12:56

    That should be the best.

  81. 13:01

    Love.

  82. 13:04

    Just take it or leave it.

  83. 13:06

    Whatever he wants, just give it to him.

  84. 13:11

    Look at him.

  85. 13:12

    He seems to have a lot of pressure.

  86. 13:18

    Don't let him be alone, I think.

  87. 13:26

    Crap.

  88. 13:28

    I think we should trust him.

  89. 13:33

    It's hard to say, I think these things.

  90. 13:41

    Hmm.

  91. 13:42

    How do you think I did just now?

  92. 13:48

    Not bad, not as exaggerated as he said.

  93. 13:52

    What do you think of my performance?

  94. 13:54

    I think you did very well.

  95. 13:56

    I came to this play for you.

  96. 13:57

    Haha, really?

  97. 13:58

    You're so beautiful.

  98. 14:02

    Really.

  99. 14:03

    Really, really.

  100. 14:07

    Don't joke around here.

  101. 14:10

    The camera is on.

  102. 14:13

    Wait until we see the footage.

  103. 14:14

    I'm freaking out.

  104. 14:14

    He got angry just now and I saw us talking here.

  105. 14:18

    I don't want to deal with him anymore.

  106. 14:20

    That's it.

  107. 14:21

    Maybe he's getting more and more furious.

  108. 14:24

    I don't know.

  109. 14:26

    I think it's better not to think too much.

  110. 14:30

    Otherwise, it will make everyone uncomfortable.

  111. 14:37

    But I think.

  112. 14:40

    You might have some places just now.

  113. 14:42

    That were really a bit too fake.

  114. 14:45

    Like me.

  115. 14:46

    I felt like I didn't catch up with the mood.

  116. 14:50

    So maybe he got angry.

  117. 14:51

    Maybe you should be more careful.

  118. 14:54

    That should be better.

  119. 14:56

    Hmm.

  120. 14:57

    That should be it.

  121. 15:01

    Too anxious.

  122. 15:06

    I've been acting since graduation and never made a penny.

  123. 15:12

    And they want me to love.

  124. 15:20

    I take sleeping pills every night.

  125. 15:24

    Or.

  126. 15:25

    It's okay, it's okay.

  127. 15:26

    I'm going to the bathroom.

  128. 15:27

    Okay.

  129. 15:48

    Do you have a cigarette?

  130. 16:12

    Do you have a cigarette?

  131. 16:59

    Damn.

  132. 17:04

    Why can't I fall in love with a woman?

  133. 17:18

    But can this play continue?

  134. 18:43

    I have to smash you.

  135. 18:51

    Let the dark night cover.

  136. 19:03

    Souls boil over the withered cities.

  137. 19:14

    The drilling stones.

  138. 19:19

    Knocking on the hard ground.

  139. 19:58

    What?

  140. 20:00

    What do you think of Xu Jinjiang?

  141. 20:06

    He's fine.

  142. 20:10

    He's not as bad as you said.

  143. 20:18

    I wrote this script for him.

  144. 20:21

    I know.

  145. 20:26

    And then he.

  146. 20:31

    Numb like a stone tablet.

  147. 20:39

    Maybe we need to wait.

  148. 21:04

    Don't worry.

  149. 21:24

    What about that kiss scene?

  150. 21:28

    How is it?

  151. 21:30

    Not bad.

  152. 21:34

    Actually.

  153. 21:36

    I fell in love with you the first time I auditioned.

  154. 21:47

    You have a unique aura that attracts me.

  155. 21:54

    It's fascinating.

  156. 21:55

    Really?

  157. 21:58

    Yeah.

  158. 22:01

    Yeah, me too.

  159. 22:03

    Actually, I knew it a long time ago.

  160. 22:07

    But I didn't say it.

  161. 22:10

    Because I came here for your script.

  162. 22:13

    So I definitely focused on the play.

  163. 22:18

    Yeah.

  164. 22:21

    So I think.

  165. 22:24

    We can finish this first.

  166. 22:28

    And then talk.

  167. 22:30

    What are you talking about?

  168. 22:31

    You two.

  169. 22:33

    Chatting.

  170. 22:34

    Nothing, nothing, that.

  171. 22:38

    Nothing.

  172. 22:40

    Very good, very good, that.

  173. 22:53

    Yes, to that.

  174. 22:57

    The fourth scene, right?

  175. 22:59

    Yeah.

  176. 23:01

    Which scene?

  177. 23:05

    How to arrange this scene?

  178. 23:08

    Do we need to follow any schedule?

  179. 23:12

    How do we?

  180. 23:15

    Do we lie down or stand up or sit down or walk?

  181. 23:19

    Or or are we moving?

  182. 23:25

    Think about it.

  183. 23:33

    It's okay, it's okay.

  184. 23:35

    Relax, you can do whatever you want.

  185. 23:39

    I'll control the lights for you.

  186. 23:43

    Ah.

  187. 23:46

    Can you see it?

  188. 23:53

    Act well, Gerry

  189. 24:02

    He just called you in the play.

  190. 24:03

    Yeah.

  191. 24:05

    What name did he call you?

  192. 24:06

    He called you Gerry.

  193. 24:08

    Hahahaha.

  194. 24:11

    Aren't you Xu Jinjiang?

  195. 24:18

    So we.

  196. 24:20

    He seems to ignore us.

  197. 24:55

    La lune. The moon is pretty tonight.

  198. 24:56

    The moon is fair and comely tonight

  199. 24:58

    Wilt thou go forth with me for a stroll?

  200. 24:59

    Do you want to go out with me?

  201. 25:01

    Oh, why should I?

  202. 25:02

    Yeah.

  203. 25:04

    Aye

  204. 25:04

    We haven't been out for a long time

  205. 25:07

    Let's go

  206. 25:08

    We two have nor gone out for a long while

  207. 25:19

    I

  208. 25:26

    Are we going or not?

  209. 25:29

    Aye

  210. 25:29

    Moon, I

  211. 25:30

    You go first

  212. 25:33

    I have, I

  213. 25:37

    I

  214. 25:39

    Thou go first, I prithee

  215. 25:40

    I can be alone

  216. 25:43

    Moon

  217. 25:46

    Moon

  218. 25:47

    I can, I can be alone

  219. 25:50

    I can stay alone for a while

  220. 25:51

    I can be alone

  221. 25:58

    I alone, I alone

  222. 26:03

    I, I alone

  223. 26:20

    I alone

  224. 26:22

    I can be alone

  225. 26:27

    There's nothing

  226. 26:38

    Alone

  227. 26:49

    Art thou there?

  228. 26:53

    Are you there

  229. 26:56

    I'm here

  230. 26:56

    I am here

  231. 27:03

    Are you sad

  232. 27:07

    You must be very upset

  233. 27:11

    Let me be sad for you

  234. 27:12

    Art thou sad?

  235. 27:19

    Do you love me

  236. 27:19

    Thou must be sorely grieved

  237. 27:22

    Say you love me

  238. 27:23

    I love you

  239. 27:25

    Let me be sad for thee

  240. 27:33

    Will you always be there

  241. 27:42

    Say thou lovest me

  242. 27:44

    Dost thou love me?

  243. 27:46

    I love you

  244. 27:52

    Moon

  245. 27:53

    Hehe

  246. 27:56

    Ah, moon

  247. 28:02

    She comes close to me and then backs away

  248. 28:03

    Wilt thou be always here?

  249. 28:05

    Because

  250. 28:07

    Wilt thou be always here?

  251. 28:08

    I want

  252. 28:12

    I want to catch her

  253. 28:12

    Wilt thou be always here?

  254. 28:18

    Rope

  255. 28:20

    Gravity

  256. 28:22

    La lune

  257. 28:24

    I want the moon

  258. 28:36

    He erects bigger and bigger

  259. 28:37

    And then

  260. 28:38

    She

  261. 28:39

    Grow bigger

  262. 28:40

    Has desire

  263. 28:43

    Grow very big

  264. 28:44

    But but but

  265. 28:48

    Grow very big and very light

  266. 28:50

    And then

  267. 28:52

    Float to a very very very very far place

  268. 28:54

    But has guilt

  269. 28:55

    And then

  270. 28:58

    And then and then and then is and then is

  271. 29:01

    Walk towards him

  272. 29:02

    And then is and then is and then is

  273. 29:04

    I hold him

  274. 29:07

    Rope and gravity

  275. 29:07

    She he

  276. 29:10

    She comes over

  277. 29:14

    I draw him

  278. 29:16

    In

  279. 29:17

    This side is dark

  280. 29:19

    I dance in the water

  281. 29:20

    This side is dark

  282. 29:22

    That side is bright

  283. 29:27

    Become very long

  284. 29:36

    She

  285. 29:36

    Mother (Father)

  286. 29:37

    She

  287. 29:39

    She

  288. 29:45

    I draw him I draw him and then

  289. 29:46

    She walks towards me

  290. 29:49

    But I

  291. 29:50

    There is black

  292. 29:52

    But I

  293. 29:54

    There is bright

  294. 29:55

    But I

  295. 29:59

    All the colors are on top

  296. 30:03

    But I

  297. 30:17

    He walks towards me

  298. 30:24

    Back off

  299. 30:45

    Can you still feel me

  300. 30:48

    Huh?

  301. 30:49

    Yeah yeah yeah

  302. 30:50

    Yeah, hahaha

  303. 30:54

    I'm holding tight

  304. 31:03

    Is it because we've been together for too long

  305. 31:09

    I feel you disappearing

  306. 31:13

    You become unreal

  307. 31:17

    Ah, look at me, hmm

  308. 31:22

    You talk

  309. 31:28

    I can't see myself in your eyes

  310. 31:31

    Hmph

  311. 31:33

    Liar

  312. 31:34

    You're the one

  313. 31:38

    I can't see myself in your eyes

  314. 31:41

    You're like a mirror

  315. 31:42

    You know that, huh

  316. 31:46

    Look at me

  317. 31:47

    Em

  318. 31:51

    Why not me

  319. 31:54

    Why not you

  320. 31:55

    Why not you

  321. 32:00

    Why not me

  322. 32:00

    Can you feel me still

  323. 32:02

    Emmhm

  324. 32:08

    You're so silly

  325. 32:12

    You're so silly

  326. 32:14

    I can't see anything

  327. 32:17

    In your eyes

  328. 32:22

    I vanished

  329. 32:36

    You vanished

  330. 32:39

    I vanished too

  331. 32:43

    I can't see myself in your eyes no more

  332. 32:55

    Why aren't it me?

  333. 33:02

    Why not me?

  334. 33:04

    Why not you?

  335. 33:09

    Why not you?

  336. 33:19

    You are such a idiot

  337. 33:56

    You're not me but you're also me

  338. 34:01

    Yes, you can only be me

  339. 34:03

    Forget it, you go

  340. 34:11

    You don't understand me at all

  341. 34:15

    You self-righteous people

  342. 34:21

    Hmm

  343. 34:23

    Yes

  344. 34:25

    It's my fault to love you

  345. 34:29

    Go to hell

  346. 34:32

    You go to hell and you die

  347. 34:36

    If you want to prove it

  348. 34:40

    I've never been so decisive before

  349. 34:47

    But I'm sorry, I

  350. 34:50

    I don't understand why it's so sudden this time

  351. 34:57

    I was good to you, right?

  352. 35:00

    Yeah

  353. 35:02

    You, you're good

  354. 35:06

    It's not your fault

  355. 35:09

    It's not your fault

  356. 35:18

    My fault

  357. 35:20

    My fault

  358. 35:22

    Don't say that

  359. 35:37

    You changed so fast

  360. 35:40

    Are you still the same you

  361. 35:43

    Our relationship has changed

  362. 35:46

    This is troublesome

  363. 35:49

    You're shaking like a sieve

  364. 35:51

    Can't you calm down first

  365. 35:53

    I've made up my mind

  366. 35:55

    I don't know if I'm awake or asleep

  367. 35:57

    Wait

  368. 35:59

    This is just one-sided

  369. 36:03

    Do you think you can decide everything

  370. 36:08

    There's no second chance

  371. 36:11

    I'm sorry I'm sorry

  372. 36:13

    I'm not good at talking

  373. 36:16

    I like this about you

  374. 36:21

    I know I was a bit too direct

  375. 36:28

    But even though I shouldn't

  376. 36:35

    Can

  377. 36:36

    This is like a

  378. 36:37

    Can touch you

  379. 36:39

    Like a fish tank

  380. 36:42

    I

  381. 36:43

    You're in there

  382. 36:45

    Like it so much

  383. 36:49

    Swimming

  384. 36:51

    I can't swim

  385. 36:55

    I can't swim

  386. 37:00

    So he

  387. 37:02

    You left me

  388. 37:06

    I was the one who fell off the boat

  389. 37:13

    You know what I want to do

  390. 37:16

    Thank you for helping me, thank you

  391. 37:23

    Thank you

  392. 37:39

    This is just my repayment to you

  393. 37:50

    Thank you

  394. 37:55

    What are you thanking me for

  395. 37:58

    What are you thanking me for

  396. 38:33

    You saw her face

  397. 38:36

    So beautiful

  398. 38:39

    She has no eyes He has no eyes

  399. 38:42

    His eye sockets are empty like a piece of

  400. 38:48

    Don't think

  401. 38:50

    Don't think

  402. 38:58

    Take it off Hurry up and take it off

  403. 39:01

    Why can't I take it off

  404. 39:13

    I say

  405. 39:18

    She's in the water

  406. 39:21

    She's struggling in the water

  407. 39:23

    Ah She drank a lot of water

  408. 39:25

    Her belly is bulging

  409. 39:29

    He makes me feel scared

  410. 39:33

    And then he glared at us with his eyes wide open

  411. 39:37

    He's clearly here

  412. 39:41

    But I didn't do anything

  413. 39:42

    Pretty?

  414. 39:45

    Am I pretty?

  415. 41:05

    From a certain moment my memory became very bad

  416. 41:13

    I forgot what I said in the morning by noon

  417. 41:17

    And then

  418. 41:20

    Things from a few years ago

  419. 41:24

    I don't remember any of them

  420. 41:26

    They were eaten by something when I slept

  421. 41:28

    Eaten eaten

  422. 41:31

    Uh

  423. 41:46

    People people's memory needs something to prove it

  424. 41:49

    For example, images or text

  425. 41:53

    Or

  426. 41:58

    Smell but

  427. 42:00

    But I didn't leave anything behind at that time

  428. 42:04

    Only pure feeling

  429. 42:05

    I treated myself as a

  430. 42:08

    Pure pure feeling machine

  431. 42:09

    I am I am because I believe this

  432. 42:12

    That's why I don't like taking photos

  433. 42:13

    I didn't take photos when I went out to play before

  434. 42:15

    I only believe what I experience at this moment

  435. 42:18

    What I experience

  436. 42:19

    What I see with my eyes

  437. 42:20

    What I hear

  438. 42:21

    But later this thing

  439. 42:24

    The thing you experience you just feel good at that time

  440. 42:25

    Or feel bad at that time

  441. 42:27

    But nothing is left behind

  442. 42:30

    It's no longer a memory

  443. 42:31

    It becomes an instant process

  444. 42:34

    And especially for someone like me who has a poor memory

  445. 42:38

    You dig it out again

  446. 42:39

    Take it out and you'll feel you can't remember

  447. 42:42

    Can't remember

  448. 42:43

    Right

  449. 42:46

    Now I rarely rarely record

  450. 42:57

    And then I

  451. 42:58

    Causing me to have no material for memories now

  452. 43:11

    That can let me

  453. 43:15

    Return to being human in a way

  454. 43:17

    But yes, there are also chat records

  455. 43:20

    Chat records

  456. 43:23

    Yes

  457. 43:27

    Chat records are the most useless things

  458. 43:29

    They are full of nonsense and then

  459. 43:36

    And then they are only pure text

  460. 43:41

    And then imagination space

  461. 43:44

    Yes, there is imagination space

  462. 44:10

    After all, I'm the only one in the world

  463. 44:12

    Who can prove that those things happened

  464. 44:26

    And everything I had

  465. 44:30

    Has gone before me

  466. 44:43

    Causing me me

  467. 44:46

    Causing me to be dry causing me

  468. 44:50

    Wood

  469. 44:53

    Dry like wood

  470. 44:55

    Hard

  471. 45:14

    And then someone said unbelievably

  472. 45:16

    Uh, make more friends

  473. 45:18

    And interact more

  474. 45:20

    A girlfriend would be good

  475. 45:31

    But I know it's useless

  476. 45:54

    I often ride a bike

  477. 45:55

    Because when you ride a bike your breathing is very fast

  478. 46:03

    Heartbeat is also very fast

  479. 46:13

    And then it's very cool

  480. 46:18

    Then it's tired

  481. 46:21

    You have to take a shower and go to sleep

  482. 46:25

    Simple machine repeated actions

  483. 46:31

    And it's forward

  484. 46:35

    You won't think about other things so much

  485. 46:39

    Or watch some tik tok

  486. 46:42

    It will occupy your senses

  487. 46:44

    And your thoughts too

  488. 46:48

    Even if your brain is empty

  489. 46:49

    But you're still occupied

  490. 46:51

    You won't think about other things either

  491. 46:53

    But when you calm down

  492. 46:55

    You have to face it

  493. 46:58

    Let me go, please

  494. 47:01

    I've changed my mind

  495. 47:02

    Face the nothingness

  496. 47:03

    Face what you once had

  497. 47:06

    But now I don't have it

  498. 47:07

    I don't mind going to hell

  499. 47:07

    Now it's gone

  500. 47:08

    A ruin

  501. 47:10

    You're on it

  502. 47:11

    Let it all

  503. 47:12

    Disappear, disappear

  504. 47:12

    I'm on it

  505. 47:15

    Sitting

  506. 47:16

    Haha ah haha

  507. 47:18

    The ruin is

  508. 47:21

    Ah

  509. 47:23

    We can just be like this, we can just be like this

  510. 47:25

    The ruin is

  511. 47:29

    Or if you want something else you tell me I'll give it to you

  512. 47:29

    It can't be cleaned up

  513. 47:34

    A part of a person or a part of me

  514. 47:35

    Ah why is there no perfect man

  515. 47:37

    Maybe other people's houses are beautifully decorated

  516. 47:39

    I can I can give him everything

  517. 47:39

    But mine has collapsed into a ruin

  518. 47:42

    And then you say to shovel this ruin

  519. 47:42

    I can

  520. 47:44

    Why don't you build a new one

  521. 47:46

    Then what about mine

  522. 47:48

    What about my decades

  523. 47:49

    I can give it to him over and over again

  524. 47:50

    What about these years

  525. 47:52

    I can cut myself off

  526. 47:56

    Feed him

  527. 48:03

    What do you want

  528. 48:05

    Tell me

  529. 48:08

    I'll give it to you

  530. 48:16

    I can't do it

  531. 48:20

    Is it that you can't do it

  532. 48:23

    Or you don't want it

  533. 48:31

    Can't do it

  534. 48:34

    Can't do it or don't want it

  535. 48:40

    I'm scared

  536. 48:42

    What are you afraid of

  537. 48:47

    I'm not afraid of anything anymore

  538. 49:00

    Like a

  539. 49:03

    Like a fish tank

  540. 49:05

    Then why don't you let the water out

  541. 49:08

    I'm willing to swim in it

  542. 49:26

    Too

  543. 49:29

    Too

  544. 49:30

    Too light

  545. 49:36

    We're all wearing red clothes

  546. 49:47

    The house burned up

  547. 51:08

    Let it burn

  548. 51:10

    I saw you on the window

  549. 51:16

    Asking me for help

  550. 51:18

    It will rot sooner or later

  551. 51:22

    Let me save you

  552. 51:22

    Let it burn

  553. 51:25

    It doesn't matter

  554. 51:27

    But I'm afraid

  555. 51:30

    I know

  556. 51:31

    It doesn't matter

  557. 51:34

    I got it

  558. 51:38

    I got it

  559. 51:44

    It's okay

  560. 51:50

    I've done a lot of wrong things too

  561. 51:53

    Hmph

  562. 51:54

    I found out

  563. 51:57

    At the last moment they won't spare me

  564. 52:00

    Yeah

  565. 52:09

    They won't spare me

  566. 52:13

    They came one after another

  567. 52:18

    One after another

  568. 52:20

    Pressing on me

  569. 52:24

    On me

  570. 52:27

    I can't stand it I really can't stand it

  571. 52:31

    I really can't stand it

  572. 52:35

    I really can't stand it

  573. 52:40

    I want to

  574. 52:43

    I want to I can only

  575. 52:48

    Go there

  576. 52:53

    Mom is waiting for me

  577. 52:59

    Mom is waiting for me

  578. 53:08

    Mom is waiting for me

  579. 53:19

    Why is it suddenly so cold

  580. 53:29

    Too cold

  581. 53:32

    Too cold

  582. 53:33

    Cover yourself with a blanket

  583. 53:36

    Too cold

  584. 53:39

    Give me a blanket

  585. 53:45

    Too cold

  586. 53:47

    Too cold

  587. 53:56

    I'm freezing to death

  588. 53:57

    You know

  589. 53:59

    You know

  590. 54:02

    You know people who freeze to death

  591. 54:06

    They will take off their clothes before they die

  592. 54:10

    Too cold

  593. 54:12

    They feel hot

  594. 54:15

    They feel so hot

  595. 54:21

    Ah, too cold

  596. 54:22

    They feel too hot

  597. 54:28

    So they have to take off their clothes

  598. 54:35

    Be a quilt

  599. 55:13

    I don't want to die yet

  600. 55:15

    You made me do this

  601. 55:16

    I don't want to die yet

  602. 55:18

    Did you understand?

  603. 55:23

    I didn't know you were inside

  604. 55:25

    You killed mom in the same way

  605. 55:29

    You lied to her

  606. 55:30

    How despicable you are

  607. 55:31

    You lied to her

  608. 55:39

    I can't quite remember

  609. 55:42

    How we got here

  610. 55:48

    It seems like we just walked and walked

  611. 55:51

    Mom

  612. 55:52

    She

  613. 55:56

    Opened her wardrobe

  614. 55:59

    There are in the wardrobe

  615. 56:02

    Maybe you don't have to think too hard

  616. 56:03

    Underwear

  617. 56:05

    Stockings

  618. 56:06

    You'll be able to remember

  619. 56:08

    High heels

  620. 56:09

    If you think too hard, you might not remember

  621. 56:10

    I'm wearing shoes

  622. 56:12

    Hahaha

  623. 56:12

    Dancing in the house

  624. 56:15

    Haha

  625. 56:16

    Like walking on stilts

  626. 56:17

    Oh my god, you scared me

  627. 56:18

    Haha

  628. 56:19

    Hahaha

  629. 56:21

    I can't swim either

  630. 56:21

    You got an erection

  631. 56:24

    Don't fall down

  632. 56:24

    She never

  633. 56:26

    I can't swim either

  634. 56:26

    She never wore those in front of me

  635. 56:28

    Do you know

  636. 56:29

    I know

  637. 56:38

    It's useless

  638. 56:38

    I can't see your shadow in the water

  639. 56:41

    What's the use

  640. 56:44

    You're scary when you turn around like this

  641. 56:44

    It's already gone

  642. 56:54

    Like a fish tank

  643. 57:00

    You're swimming inside

  644. 57:03

    I'm swimming inside

  645. 57:05

    I'm killing fish inside

  646. 57:09

    You know

  647. 57:11

    You're swimming inside

  648. 57:12

    You know I'm inside

  649. 57:13

    So you let the water out

  650. 57:17

    You know I'm inside

  651. 57:18

    So you let the water out

  652. 57:19

    Let it out

  653. 57:21

    Wake up

  654. 57:23

    Wake up

  655. 57:26

    But you look like you're flying

  656. 57:43

    Why every time I see you I feel

  657. 57:45

    I feel like it's the last time

  658. 57:48

    Every time I see you I feel

  659. 57:51

    I'm falling in love with you

  660. 57:55

    I'm afraid of drowning

  661. 58:17

    But in reality your choice is often

  662. 59:00

    This is also part of the art

  663. 59:04

    The drama is a whole

  664. 59:06

    It's not just about the actors' performance

  665. 59:10

    The operation of the instruments

  666. 59:12

    The lighting and sound

  667. 59:14

    The stage design is all rhythmic

  668. 59:16

    Huh?

  669. 59:19

    Look

  670. 59:19

    It's also a performance

  671. 59:23

    And very important

  672. 59:34

    Why are you so blank

  673. 59:38

    Silly, like a big fool

  674. 59:43

    Yes and then

  675. 59:46

    You have to note the cue points

  676. 59:48

    You know actually

  677. 59:51

    I shouldn't be like this now

  678. 59:54

    You can lie here

  679. 59:59

    Can you see me if you take off your glasses

  680. 1:00:02

    Can you see me like this

  681. 1:00:04

    I can see

  682. 1:00:05

    And there will be a halo effect around me

  683. 1:00:09

    Am I blurry

  684. 1:00:10

    You're not blurry

  685. 1:00:11

    Your surroundings Your surroundings will become blurry

  686. 1:00:13

    Is there light around me

  687. 1:00:15

    Uh

  688. 1:00:17

    Uh

  689. 1:00:20

    There is

  690. 1:00:21

    There is?

  691. 1:00:22

    Is there? Haha

  692. 1:00:23

    Look again, is there light

  693. 1:00:31

    Keep your breathing in sync

  694. 1:00:41

    Hey, this effect is very good

  695. 1:01:59

    Can you hug me

  696. 1:02:06

    I can but it's a bit hot

  697. 1:02:08

    I can turn on the air conditioner

  698. 1:02:12

    But that one is too cold

  699. 1:02:13

    That is

  700. 1:02:14

    Then can you hug me

  701. 1:02:17

    I can

  702. 1:02:19

    Then why are there so many reasons

  703. 1:02:22

    Because you are very Your mood is very complicated

  704. 1:02:27

    Or what

  705. 1:02:30

    Can you really

  706. 1:02:34

    You can try

  707. 1:02:35

    You can try

  708. 1:02:36

    Then you try

  709. 1:02:39

    Haha

  710. 1:02:42

    Just hug like this

  711. 1:02:44

    I want to press my head on your hand

  712. 1:02:49

    This

  713. 1:02:51

    Come up a bit more

  714. 1:02:55

    Come up

  715. 1:02:57

    You look like a worm crawling

  716. 1:02:58

    Hahahaha

  717. 1:02:59

    Hahahaha

  718. 1:03:02

    You're killing me

  719. 1:03:03

    You're like a worm

  720. 1:03:06

    And then your feet are kicking

  721. 1:03:07

    You're crawling

  722. 1:03:10

    Put your hand here

  723. 1:03:12

    Hmm

  724. 1:03:13

    Where to put

  725. 1:03:14

    Put it here

  726. 1:03:15

    Have you never hugged before

  727. 1:03:17

    Oh OK

  728. 1:03:19

    Haha

  729. 1:03:21

    Are you laughing

  730. 1:03:23

    You're laughing again

  731. 1:03:25

    Hahaha what are you laughing at

  732. 1:03:31

    Ah ah

  733. 1:03:32

    What are you laughing at

  734. 1:03:33

    Laughing is to relieve tension

  735. 1:03:35

    What are you nervous about

  736. 1:03:37

    Uh

  737. 1:03:37

    Whiny baby

  738. 1:03:40

    Hahaha

  739. 1:03:40

    Will you be angry if I call you that

  740. 1:03:42

    Uh no

  741. 1:03:43

    Why

  742. 1:03:44

    Because I'm not anymore

  743. 1:03:45

    You're not like that now huh

  744. 1:03:47

    Ah

  745. 1:03:47

    Then how were you a whiny baby before

  746. 1:03:48

    Haha

  747. 1:03:49

    Then why would you feel bad when others call you that

  748. 1:03:51

    Ah

  749. 1:03:51

    Ah?

  750. 1:03:53

    Because Because that's someone else

  751. 1:03:55

    What about now

  752. 1:03:57

    Now it's you

  753. 1:03:57

    You're not a whiny baby anymore, are you

  754. 1:03:59

    Ahaha

  755. 1:03:59

    Hmm

  756. 1:04:02

    Haha

  757. 1:04:04

    Yeah right

  758. 1:04:05

    That's good

  759. 1:04:07

    Haha

  760. 1:04:08

    What are you doing what are you doing

  761. 1:04:10

    I'm watching you turn into a whiny baby

  762. 1:04:12

    Um you

  763. 1:04:13

    You put your finger on my chin

  764. 1:04:15

    I won't turn into some kind of monster

  765. 1:04:18

    But my neck will be a bit uncomfortable

  766. 1:04:20

    Okay

  767. 1:04:23

    Are you hot

  768. 1:04:26

    A bit

  769. 1:04:27

    How come I don't feel hot

  770. 1:04:31

    Do you still see white light around me

  771. 1:04:33

    Light

  772. 1:04:35

    Light

  773. 1:04:39

    Light

  774. 1:04:43

    Then what happened to you in the end

  775. 1:04:45

    After they called you a whiny baby

  776. 1:04:49

    Then what did you do in the end

  777. 1:05:02

    Hmm?

  778. 1:05:04

    And then I went

  779. 1:05:10

    Oh

  780. 1:05:12

    To do what

  781. 1:05:20

    What are you doing

  782. 1:05:23

    I also had a dream at that time

  783. 1:05:29

    その時 俺は (That time I)

  784. 1:05:31

    思えたんだ (Remembered)

  785. 1:05:34

    その (That)

  786. 1:05:34

    ♪ Comment faire les nuits que mon coeur se serre ♪

  787. 1:05:39

    欲しいを (Want to)

  788. 1:05:40

    ♪ Au nom de l'infini et que ton poussière ♪

  789. 1:05:46

    月に (To the moon)

  790. 1:05:48

    ♪ Les sagesses de midi quand il n'y a plus rien à croire ♪

  791. 1:05:53

    止めて (Stop)

  792. 1:05:54

    ♪ Ou à rêver par ici. Moi je prie ♪

  793. 1:05:57

    の時 (When)

  794. 1:06:00

    それはどんな状況なんですか (What kind of situation is that)

  795. 1:06:03

    ♪ Je prie sans Dieu sans foi sans paradis sans croix ♪

  796. 1:06:06

    ♪ Pour le son d'une voix ♪

  797. 1:06:10

    ♪ Autant de chagrin ♪

  798. 1:06:13

    ♪ À la barbe du destin ♪

  799. 1:06:16

    ♪ Comme d'autres crient je prie ♪

  800. 1:06:21

    What are you thinking

  801. 1:06:22

    ♪ Je prie sans Dieu sans foi comme les hors la loi ♪

  802. 1:06:23

    You look like you're thinking

  803. 1:06:26

    Whiny baby

  804. 1:06:26

    ♪ Sans Christ et sans Bouddah ♪

  805. 1:06:29

    ♪ Au creux du tourment ♪

  806. 1:06:31

    ♪ Dans l'oiel de l'ouragan ♪

  807. 1:06:32

    Hmm

  808. 1:06:33

    Hmm

  809. 1:06:35

    What are you laughing at

  810. 1:06:40

    You're scared

  811. 1:06:43

    Hmm

  812. 1:06:47

    Hmm you're scared

  813. 1:06:55

    Hmm

  814. 1:07:42

    Do you still feel hot

  815. 1:07:45

    Hmm

  816. 1:07:47

    Now it's a bit warm

  817. 1:07:50

    Really

  818. 1:07:51

    That's fine

  819. 1:07:52

    Not that kind of dry dry heat

  820. 1:08:08

    Do you still feel fear

  821. 1:08:13

    Hmm about what kind of fear

  822. 1:08:16

    Hmm death?

  823. 1:08:22

    Intimacy?

  824. 1:08:25

    Friends?

  825. 1:08:27

    This society?

  826. 1:08:31

    Everything and everything about now

  827. 1:08:34

    Everything that's happening now

  828. 1:08:42

    Are you afraid

  829. 1:08:47

    Yes

  830. 1:10:05

    You were dreaming

  831. 1:10:14

    This is why I keep being careful

  832. 1:10:18

    Keep restraint

  833. 1:10:19

    I don't want to hurt other girls because

  834. 1:10:27

    Because

  835. 1:10:46

    Because I was abandoned by my family when I was young and then

  836. 1:10:53

    I would be more afraid of the

  837. 1:10:56

    Hmm

  838. 1:11:00

    Unstable and uncertain things in intimate relationships

  839. 1:11:02

    Suddenly very

  840. 1:11:18

    What are you saying

  841. 1:11:21

    Me

  842. 1:11:25

    But it's also too too too that too intimate

  843. 1:11:30

    And then I feel

  844. 1:11:33

    It's hard to have more than just that

  845. 1:11:40

    That is the first the first layer

  846. 1:11:42

    The first layer is that kind of being together all day

  847. 1:11:45

    And then talk about some very trivial and messy things

  848. 1:11:49

    Huh?

  849. 1:11:52

    There is almost no deeper progress

  850. 1:11:57

    So this will make you feel very empty

  851. 1:11:59

    Very failed and bored

  852. 1:12:05

    Falling in love is actually still people and people

  853. 1:12:08

    And then

  854. 1:12:10

    Not that that form

  855. 1:12:12

    That form

  856. 1:12:13

    Purely pursuing that form

  857. 1:12:17

    Can't get can't get

  858. 1:12:18

    Can't get it's fine

  859. 1:12:19

    Can't get it's fine

  860. 1:12:22

    That form can connect with anyone

  861. 1:12:26

    But the relationship between people is not

  862. 1:12:31

    Not anyone can

  863. 1:12:36

    Including all kinds of love at first sight

  864. 1:12:38

    That's because it's shallow

  865. 1:12:41

    So it can be love at first sight

  866. 1:12:43

    Very intuitive

  867. 1:12:46

    Now it's a bit hot

  868. 1:12:49

    Yes

  869. 1:13:58

    Wait a minute

  870. 1:14:01

    How did you run out

  871. 1:14:19

    Don't be afraid

  872. 1:14:21

    Don't be afraid

  873. 1:14:23

    Why did you do that

  874. 1:14:40

    Come on

  875. 1:14:43

    Don't be afraid

  876. 1:15:11

    Will you go with me

  877. 1:15:13

    Go with me

  878. 1:15:15

    Go with me

  879. 1:16:03

    Hahahaha

  880. 1:16:06

    Thank you

  881. 1:16:09

    Stay here for me

  882. 1:16:12

    Hang in there

  883. 1:16:16

    Someone will come to save you

  884. 1:16:20

    But that person is not me

  885. 1:16:25

    Thank you

  886. 1:16:48

    Haha

  887. 1:16:51

    Haha

  888. 1:17:39

    You can't find me every time

  889. 1:17:44

    You can't every time

  890. 1:18:01

    You can't shoot me every time

  891. 1:18:41

    Why can't you hold on

  892. 1:18:52

    Why can't you hold on

  893. 1:18:55

    Go ahead

  894. 1:18:59

    Go die

  895. 1:19:01

    Let go let go let go let go let go let go let go let go

  896. 1:19:09

    Go die

  897. 1:19:11

    Go to hell

  898. 1:19:15

    Are you ready

  899. 1:19:27

    How beautiful you are

  900. 1:19:35

    I love you

  901. 1:19:41

    Let me sing you a lullaby

  902. 1:19:53

    Sleep

  903. 1:19:56

    Sleep

  904. 1:19:58

    My dear baby

  905. 1:20:03

    Sleep

  906. 1:20:05

    Sleep, this film makes me want to sleep

  907. 1:20:07

    Mommy loves you

  908. 1:20:12

    Sleep

  909. 1:20:13

    Die

  910. 1:20:14

    Sleep

  911. 1:20:14

    Go to hell

  912. 1:20:15

    Mommy loves you

  913. 1:20:15

    Go to hell

  914. 1:20:28

    Hmm

  915. 1:20:29

    Hahaha

  916. 1:21:05

    The more you do this the more I like it

  917. 1:21:08

    Hey

  918. 1:21:11

    I like playing this the most

  919. 1:21:14

    You too

  920. 1:21:16

    You like playing this the most

  921. 1:23:34

    Fafalish

  922. 1:24:16

    Ouch

  923. 1:24:22

    Ah

  924. 1:24:25

    Haha

  925. 1:25:11

    About that bigger thing

  926. 1:25:16

    How do you feel

  927. 1:25:27

    About that

  928. 1:25:31

    Just that bigger thing

  929. 1:25:55

    It seems to be in

  930. 1:25:59

    Very

  931. 1:26:01

    Dark place

  932. 1:26:03

    A red truck drove by

  933. 1:26:07

    Sunflower

  934. 1:26:08

    Wheat field

  935. 1:26:32

    Now swimming in the sea

  936. 1:26:43

    Press the blue-green button

  937. 1:26:45

    There will be a lot of lollipops and whales

  938. 1:27:10

    There is light in the forest

  939. 1:27:13

    There is wind

  940. 1:27:15

    He became very light

  941. 1:27:18

    As if to fly

  942. 1:27:29

    A flower bloomed in the middle of the coin

  943. 1:27:44

    Started to run

  944. 1:27:49

    As if looking for something

  945. 1:27:55

    The murderer put the letter in the innermost room

  946. 1:28:05

    When the sun is brightest in the afternoon

  947. 1:28:08

    White sheets in the living room

  948. 1:28:12

    Float

  949. 1:28:20

    Brackets and parentheses are dancing

  950. 1:28:30

    It's going to rain

  951. 1:28:52

    There is a pair of eyes always watching me

  952. 1:28:59

    It seems to have no eyes and is black

  953. 1:29:43

    I was sucked in by the eyes

  954. 1:29:46

    I've been I've been

  955. 1:29:48

    Flying

  956. 1:29:49

    Flying and flying

  957. 1:29:52

    Suddenly saw a very beautiful butterfly

  958. 1:30:05

    At the afternoon station

  959. 1:30:08

    In the bags of a separated couple

  960. 1:30:11

    A peach fell out

  961. 1:31:18

    I knew it, you know everything when you come to me

  962. 1:31:30

    Do you know it

  963. 1:31:34

    In this air

  964. 1:31:39

    In the air

  965. 1:31:39

    There is something very very strange in it

  966. 1:31:46

    There is also a kind of expectation

  967. 1:31:49

    Yes, there is also a kind of expectation

  968. 1:31:59

    He has a kind of expectation

  969. 1:32:00

    Every pair of eyes is looking at me

  970. 1:32:02

    What are you doing

  971. 1:32:11

    They must all want to talk

  972. 1:32:13

    But no one says it

  973. 1:32:21

    Do you know it

  974. 1:32:24

    I'm usually very nervous at this time

  975. 1:32:31

    I don't know what to do

  976. 1:32:33

    I don't know what to say

  977. 1:32:37

    It has a kind of pressure

  978. 1:32:41

    This pressure has been driving me ever since

  979. 1:32:46

    Reminding me

  980. 1:32:48

    But I've been doing it constantly

  981. 1:32:51

    Let me do something

  982. 1:32:53

    I don't know what to do

  983. 1:33:09

    Talk to me

  984. 1:33:10

    Why don't you talk

  985. 1:33:16

    I might

  986. 1:33:22

    I might go back to Earth

  987. 1:33:24

    What

  988. 1:33:29

    I might go back to Earth

  989. 1:33:30

    Because some people say maybe

  990. 1:33:34

    Because the scriptwriter says maybe

  991. 1:33:37

    Because my novel says maybe

  992. 1:33:41

    You are

  993. 1:33:44

    You are my fantasy

  994. 1:33:49

    Ground control, Ground control to astronaut number 7

  995. 1:33:51

    Am I your fantasy?

  996. 1:33:53

    Ground control to astronaut number 7

  997. 1:33:55

    Don't you believe me?

  998. 1:33:57

    Don't you believe everything here?

  999. 1:34:00

    I believe you

  1000. 1:34:01

    But

  1001. 1:34:02

    Ground control to astronaut number 7

  1002. 1:34:03

    He's been out of touch for a whole day

  1003. 1:34:05

    You believe me

  1004. 1:34:07

    But you want to leave

  1005. 1:34:11

    Don't you know I am you?

  1006. 1:34:12

    Are you me?

  1007. 1:34:14

    Huh?

  1008. 1:34:15

    07 reports, everything is normal

  1009. 1:34:17

    What are you saying?

  1010. 1:34:17

    Why didn't you reply for a day

  1011. 1:34:19

    Who are you talking to?

  1012. 1:34:23

    I am

  1013. 1:34:26

    Please upload your psychological monitoring report

  1014. 1:34:30

    I'm a narcissist

  1015. 1:34:32

    I'm an anxious person

  1016. 1:34:35

    And I'm not good at teamwork

  1017. 1:34:43

    And then?

  1018. 1:34:48

    You should be happier

  1019. 1:34:53

    Maybe you shouldn't think too much

  1020. 1:34:55

    You should be happier

  1021. 1:34:57

    You should be more joyful

  1022. 1:34:58

    You should be more comfortable

  1023. 1:34:59

    You don't have to be so nervous

  1024. 1:35:01

    You don't have to be so scared

  1025. 1:35:03

    Don't always be a coward

  1026. 1:35:06

    Do you want to keep going like this?

  1027. 1:35:12

    Hey

  1028. 1:35:15

    Do you know how bad I felt

  1029. 1:35:18

    When I went home with you after dinner last night

  1030. 1:35:20

    Do you know how much pain your emotions bring me

  1031. 1:35:23

    How bad is it?

  1032. 1:35:27

    I don't know

  1033. 1:35:32

    I know you are suffering

  1034. 1:35:35

    I also know that everyone is suffering and tormented

  1035. 1:35:38

    Then, and then

  1036. 1:35:39

    So you want to keep going like this

  1037. 1:35:42

    With your kind of inexplicable emotions

  1038. 1:35:45

    To make me miserable

  1039. 1:35:54

    I don't know what to do

  1040. 1:35:57

    Sometimes when I talk to you

  1041. 1:35:58

    I don't know how to talk to you

  1042. 1:36:01

    I want you to live better

  1043. 1:36:04

    Make you happier

  1044. 1:36:06

    Make you feel more love

  1045. 1:36:12

    I can't feel anything

  1046. 1:36:15

    But I've tried my best

  1047. 1:36:19

    I'm working hard to do this

  1048. 1:36:24

    This month filming a movie

  1049. 1:36:25

    What I felt or what I experienced

  1050. 1:36:29

    I played a

  1051. 1:36:32

    A what

  1052. 1:36:33

    But I went skating I went

  1053. 1:36:36

    To eat to

  1054. 1:36:40

    Experience dating

  1055. 1:36:43

    But they are all fake

  1056. 1:36:44

    They are all gone after the movie is finished

  1057. 1:36:46

    This is not fake

  1058. 1:36:49

    Now too

  1059. 1:36:49

    I am

  1060. 1:36:49

    Now everything is gone after the performance is over

  1061. 1:36:52

    But I am real

  1062. 1:36:58

    You two are too emotional

  1063. 1:36:59

    You can tone it down when you act

  1064. 1:37:02

    This is not fake

  1065. 1:37:03

    This is not acting

  1066. 1:37:05

    But I am real

  1067. 1:37:16

    Yesterday I was

  1068. 1:37:18

    Feeling very bad in the car

  1069. 1:37:24

    I don't know why I became like this

  1070. 1:37:29

    Being with you seems quite happy

  1071. 1:37:32

    But when I leave

  1072. 1:37:33

    It always makes me feel very bad

  1073. 1:37:36

    It's like something is pressing on my chest

  1074. 1:37:38

    But I just can't

  1075. 1:37:40

    Let this thing out

  1076. 1:37:43

    I want to jump off the car

  1077. 1:37:46

    Are we

  1078. 1:37:46

    But I don't dare

  1079. 1:37:48

    Are we a bit biased

  1080. 1:37:49

    No

  1081. 1:37:50

    Sit in the middle

  1082. 1:37:52

    Sit in the middle

  1083. 1:37:53

    Sit in the middle

  1084. 1:38:00

    The second act is to draw

  1085. 1:38:01

    Hmm

  1086. 1:38:02

    You are really fucking boring

  1087. 1:38:04

    A bunch of ibeciles

  1088. 1:38:11

    Emerald green

  1089. 1:38:12

    Yes, wait a minute

  1090. 1:38:14

    So you think this is all fake

  1091. 1:38:16

    Hmm

  1092. 1:38:17

    This is all acting

  1093. 1:38:20

    Is it

  1094. 1:38:22

    Yes

  1095. 1:38:23

    So the tears are fake

  1096. 1:38:25

    The feelings are fake

  1097. 1:38:27

    The people are fake

  1098. 1:38:29

    Everyone sitting here is fake

  1099. 1:38:35

    Do you dare to see the real thing

  1100. 1:38:37

    I dare to see

  1101. 1:38:38

    I'm not a coward

  1102. 1:38:40

    You think everyone is like you a coward

  1103. 1:38:42

    Don't dare to see anything

  1104. 1:38:43

    Don't dare to say anything

  1105. 1:38:44

    Don't dare to ask anything

  1106. 1:38:46

    Nothing

  1107. 1:38:48

    Really nothing

  1108. 1:38:50

    And then nothingness

  1109. 1:38:54

    Then you have to make life more interesting

  1110. 1:38:56

    He fell into an existential crisis

  1111. 1:38:58

    So you have to keep living like this

  1112. 1:39:06

    Why do you want to draw

  1113. 1:39:08

    This is boring

  1114. 1:39:09

    Why do you have to do things according to the previous settings

  1115. 1:39:12

    Isn't this stupid

  1116. 1:39:13

    Do you still have to do this when you get here

  1117. 1:39:15

    What else can I do

  1118. 1:39:16

    What are you doing

  1119. 1:39:17

    This is a play

  1120. 1:39:19

    No, this is a drama

  1121. 1:39:20

    Is it

  1122. 1:39:21

    We are acting

  1123. 1:39:24

    You can't see the real thing

  1124. 1:39:26

    You can only see the fake

  1125. 1:39:28

    Anyway, this is the last time

  1126. 1:39:30

    Relax a bit

  1127. 1:39:32

    There will be nothing in the future

  1128. 1:39:33

    Relax a bit

  1129. 1:39:34

    You won't have any fake

  1130. 1:39:35

    Relax a bit

  1131. 1:39:37

    Hmm

  1132. 1:39:38

    Sigh, I should relax a bit

  1133. 1:39:43

    Never had

  1134. 1:39:46

    Not never

  1135. 1:39:49

    Had it forgot it forgot myself

  1136. 1:39:55

    You don't forget him

  1137. 1:39:56

    He can't come back

  1138. 1:39:58

    You sitting there sulking is useless

  1139. 1:40:01

    So just throw everything in the trash

  1140. 1:40:04

    And don't think about anything

  1141. 1:40:06

    Nothingness

  1142. 1:40:07

    And then sit there and wait

  1143. 1:40:10

    Wait for death

  1144. 1:40:35

    Then you jump into this hole

  1145. 1:41:03

    Weren't we happy when we werere hearsing

  1146. 1:41:11

    Hmm yes

  1147. 1:41:21

    So, you're going back to Earth

  1148. 1:41:25

    Oh right

  1149. 1:41:32

    I want to go to Earth

  1150. 1:41:33

    Going to the moon is a

  1151. 1:41:37

    Accelerating process

  1152. 1:41:38

    And then running faster and faster

  1153. 1:41:41

    Faster and faster and faster and faster

  1154. 1:41:44

    But going back to Earth is a

  1155. 1:41:48

    Decelerating process

  1156. 1:41:49

    And you fall down

  1157. 1:41:52

    This scene is about

  1158. 1:41:53

    The actor

  1159. 1:41:54

    Has to choose between his pursuit and his lover

  1160. 1:41:56

    More and more

  1161. 1:41:58

    Falling faster and faster

  1162. 1:42:00

    And then splat you hit the ground

  1163. 1:42:01

    So then you keep talking

  1164. 1:42:03

    Gerry

  1165. 1:42:04

    Keep explaining to everyone

  1166. 1:42:09

    And then?

  1167. 1:42:13

    Then what

  1168. 1:42:15

    And then if you can't act He Fa will kowtow ten times

  1169. 1:42:17

    Hahaha

  1170. 1:42:18

    What should we do?

  1171. 1:42:20

    It's not me who kowtows

  1172. 1:42:24

    So you have to kowtow to He Fa ten times

  1173. 1:42:29

    Huh?

  1174. 1:42:31

    You have to kowtow to He Fa

  1175. 1:42:32

    Ten times

  1176. 1:42:37

    Will you kowtow?

  1177. 1:42:51

    You keep talking

  1178. 1:42:52

    I'm listening

  1179. 1:43:01

    You talk

  1180. 1:43:04

    Talk talk talk

  1181. 1:43:04

    I think we should focus on the play

  1182. 1:43:08

    Yeah, this is a play

  1183. 1:43:11

    What's not a play?

  1184. 1:43:15

    Is there no time in this world when people are not acting?

  1185. 1:43:20

    Isn't everyone acting?

  1186. 1:43:31

    You talk

  1187. 1:43:32

    Why don't you talk?

  1188. 1:43:36

    I'm thinking

  1189. 1:43:38

    Can the kid behind me be quiet

  1190. 1:43:45

    Then you have to tell them

  1191. 1:43:46

    They will be relieved

  1192. 1:43:47

    But you only have one memory

  1193. 1:43:49

    It's okay kid

  1194. 1:43:50

    He's not kicking me now

  1195. 1:43:53

    Then you should thank

  1196. 1:43:59

    What are you thinking about?

  1197. 1:44:02

    This is all made up

  1198. 1:44:03

    I didn't think of anything

  1199. 1:44:04

    Just daydreaming

  1200. 1:44:06

    And then when you ask me I will

  1201. 1:44:08

    I will follow your lead

  1202. 1:44:11

    You can't be in a daze

  1203. 1:44:12

    If you are in a daze, what will everyone watch?

  1204. 1:44:14

    Watch you in a daze?

  1205. 1:44:19

    Your psychological monitoring report!

  1206. 1:44:24

    Narcissist

  1207. 1:44:26

    Don't keep drawing

  1208. 1:44:27

    You get up for me

  1209. 1:44:29

    You stand up for me

  1210. 1:44:33

    And then?

  1211. 1:44:40

    Narcissist

  1212. 1:44:43

    And delusions

  1213. 1:44:45

    And then?

  1214. 1:44:47

    Then

  1215. 1:44:50

    This role

  1216. 1:44:50

    Has to choose between ideal and love

  1217. 1:44:55

    But his lover is an illusion

  1218. 1:44:57

    Then then

  1219. 1:45:00

    Then yes this play

  1220. 1:45:03

    Yes this is a dilemma

  1221. 1:45:04

    But in the third act

  1222. 1:45:05

    He has to undergo a transformation

  1223. 1:45:07

    This transformation is whether he chooses ideal or

  1224. 1:45:09

    Hmm

  1225. 1:45:11

    If it were you

  1226. 1:45:11

    What would you think

  1227. 1:45:13

    I

  1228. 1:45:14

    I don't think anything

  1229. 1:45:16

    I just sit like this

  1230. 1:45:18

    The what do the audience watch

  1231. 1:45:20

    The audience the audience

  1232. 1:45:24

    And everyone sits

  1233. 1:45:27

    Let everyone think together

  1234. 1:45:29

    But no one stands up and thinks with us

  1235. 1:45:37

    There must be an external force

  1236. 1:45:39

    To force him to force him

  1237. 1:45:43

    To make the psychological monitoring report

  1238. 1:45:44

    You talk, narcissist

  1239. 1:45:55

    A person who never appeared in my life

  1240. 1:45:57

    How can you tell me he's real

  1241. 1:46:00

    Hey

  1242. 1:46:03

    I can't meet him

  1243. 1:46:04

    Even if I meet him it's not me

  1244. 1:46:05

    He doesn't belong to me

  1245. 1:46:14

    We are too cruel to this role

  1246. 1:46:17

    You are the freaks

  1247. 1:46:19

    I am a creep

  1248. 1:46:20

    I'm too freaky

  1249. 1:46:33

    Then what do you want me to say?

  1250. 1:46:40

    I don't want you to say anything

  1251. 1:46:58

    I can't even walk in this crappy skirt

  1252. 1:47:02

    Then you can choose to take it off

  1253. 1:47:04

    You said it looked good at the moment

  1254. 1:47:06

    Yeah, you said it looked good at the time

  1255. 1:47:24

    Gerry, are you lighter now?

  1256. 1:47:25

    Yes

  1257. 1:47:29

    You take off your clothes, and let me in

  1258. 1:47:30

    You can be lighter?

  1259. 1:47:33

    I

  1260. 1:47:37

    Are you acting in the last movie

  1261. 1:47:39

    No

  1262. 1:47:41

    Gerry is acting in the last movie

  1263. 1:47:43

    Gerry, what are you acting?

  1264. 1:47:44

    CC is not here

  1265. 1:47:46

    You don't have to do this

  1266. 1:47:48

    He's going to Wuzhen right

  1267. 1:47:49

    Well, indeed

  1268. 1:47:52

    Do you need to find

  1269. 1:48:00

    Should have killed them all

  1270. 1:48:09

    Anyone there?

  1271. 1:48:20

    Fuck, how did I agree to act in this play

  1272. 1:48:28

    You want to go

  1273. 1:48:31

    I should be sitting on the subway home right now

  1274. 1:48:33

    Do you want to go?

  1275. 1:48:34

    If you want to go, you go ahead

  1276. 1:48:42

    Astronaut number 7

  1277. 1:48:44

    Please reply

  1278. 1:48:51

    It's not about replying or not it's me

  1279. 1:48:55

    It's me who has to go back

  1280. 1:48:57

    He's not my choice he's me

  1281. 1:49:03

    Hmm

  1282. 1:49:05

    Hmm

  1283. 1:49:08

    He's my forced choice

  1284. 1:49:10

    Hmm

  1285. 1:49:14

    Hmm

  1286. 1:49:20

    Good

  1287. 1:49:25

    OK

  1288. 1:49:28

    Anything is fine

  1289. 1:49:31

    I know

  1290. 1:49:34

    You go

  1291. 1:49:39

    There is no dramatic conflict

  1292. 1:49:44

    How to act?

  1293. 1:49:45

    You tell me

  1294. 1:49:50

    Hmm

  1295. 1:50:02

    Like there is an alien

  1296. 1:50:05

    Hmm

  1297. 1:50:06

    There should be an alien now

  1298. 1:50:09

    And then

  1299. 1:50:11

    And then

  1300. 1:50:13

    And then he

  1301. 1:50:15

    And then he

  1302. 1:50:20

    Has to fight the alien

  1303. 1:50:21

    Hmm

  1304. 1:50:22

    And then he defeats the alien

  1305. 1:50:24

    Hmm

  1306. 1:50:25

    And then

  1307. 1:50:26

    Hmm

  1308. 1:50:35

    And then

  1309. 1:50:41

    Have you thought about it?

  1310. 1:50:51

    Have you thought about it?

  1311. 1:51:03

    Why don't you talk again?

  1312. 1:51:21

    My mind has been

  1313. 1:51:25

    Very slow

  1314. 1:51:26

    And thinking a lot of questions

  1315. 1:51:28

    Very simple questions also take

  1316. 1:51:32

    About four or five times the time of normal people to

  1317. 1:51:36

    Think

  1318. 1:51:38

    Find the language and then

  1319. 1:51:47

    It's a bit difficult for me

  1320. 1:51:54

    You should take me with you

  1321. 1:51:56

    Then there is no way

  1322. 1:51:59

    That is to say, you have to

  1323. 1:52:03

    Say it

  1324. 1:52:07

    Tell me about the happiest thing in your childhood

  1325. 1:52:17

    The happiest thing in my childhood

  1326. 1:52:21

    Is to go to the beach with the girl I like

  1327. 1:52:24

    Did you have a crush in your childhood?

  1328. 1:52:27

    Do you know what love is?

  1329. 1:52:29

    Oh

  1330. 1:52:30

    How old are you?

  1331. 1:52:34

    Just holding hands in the car

  1332. 1:52:40

    And then?

  1333. 1:52:46

    And then she went to the Spring Festival Gala

  1334. 1:52:48

    She went to the Spring Festival Gala

  1335. 1:52:51

    Hmm

  1336. 1:52:53

    Do you still see each other now?

  1337. 1:52:56

    Never saw her again

  1338. 1:53:10

    Then you tell me the saddest time in your childhood

  1339. 1:53:14

    The thing that made you feel the most painful

  1340. 1:53:23

    I know Amon you have a strong empathy

  1341. 1:53:25

    You

  1342. 1:53:26

    I didn't say I have strong empathy

  1343. 1:53:30

    OOC again

  1344. 1:53:31

    Out of the role again

  1345. 1:53:31

    I just want to know

  1346. 1:53:31

    Play that song again

  1347. 1:53:33

    You want to help anyone you see

  1348. 1:53:34

    And then

  1349. 1:53:35

    I don't want to help everyone I see

  1350. 1:53:37

    What do you think I am, a saint?

  1351. 1:53:39

    Wow

  1352. 1:53:41

    Get lost fart

  1353. 1:53:46

    I just want to ask

  1354. 1:53:48

    I want to understand

  1355. 1:53:53

    Understanding you won't change anything

  1356. 1:53:57

    So what?

  1357. 1:53:58

    So you have to bury it in your heart

  1358. 1:54:00

    Keep it buried there

  1359. 1:54:02

    Ah not seeing is not painful

  1360. 1:54:04

    Oh, you can do that

  1361. 1:54:06

    But it doesn't look painless

  1362. 1:54:08

    You look very painful

  1363. 1:54:12

    Hmm what to do

  1364. 1:54:12

    What to do

  1365. 1:54:14

    What to do

  1366. 1:54:15

    Then I ask you

  1367. 1:54:16

    What to do?

  1368. 1:54:16

    What to do?

  1369. 1:54:17

    What to do?

  1370. 1:54:26

    That

  1371. 1:54:42

    So boring

  1372. 1:54:43

    Gerry

  1373. 1:54:44

    So boring

  1374. 1:54:45

    He is so boring

  1375. 1:54:47

    We are all so bored

  1376. 1:54:49

    Boredom is good

  1377. 1:54:51

    I like boredom

  1378. 1:54:52

    Everyone knows nothing

  1379. 1:54:53

    Whatever happens, just sit like this

  1380. 1:55:01

    What are you doing?

  1381. 1:55:02

    My mic fell off

  1382. 1:55:03

    Hahaha

  1383. 1:55:06

    Let's play a game

  1384. 1:55:08

    OK

  1385. 1:55:09

    Play...

  1386. 1:55:12

    Do you want to play games?

  1387. 1:55:12

    Play...

  1388. 1:55:13

    Do you want to play games?

  1389. 1:55:14

    Hmm

  1390. 1:55:15

    Do you still hate me?

  1391. 1:55:17

    I never hated you

  1392. 1:55:18

    I hope you hate me

  1393. 1:55:20

    Let's play

  1394. 1:55:21

    I'm so cheap

  1395. 1:55:21

    Three words

  1396. 1:55:23

    Hurry hurry hurry

  1397. 1:55:23

    OK

  1398. 1:55:24

    Hurry

  1399. 1:55:25

    How can we say anything?

  1400. 1:55:27

    I catch I catch

  1401. 1:55:28

    You catch

  1402. 1:55:28

    I catch

  1403. 1:55:29

    OK

  1404. 1:55:32

    Ok

  1405. 1:55:33

    Here I go

  1406. 1:55:34

    OK

  1407. 1:55:37

    That night

  1408. 1:55:40

    Isn't this four words?

  1409. 1:55:42

    Not finished yet

  1410. 1:55:43

    That night

  1411. 1:55:46

    Ah ah

  1412. 1:55:47

    Fuck

  1413. 1:55:50

    So is it my turn to catch you?

  1414. 1:55:51

    You lose

  1415. 1:55:53

    Then I'll catch you, right?

  1416. 1:55:56

    That night

  1417. 1:56:00

    Damn it

  1418. 1:56:08

    This damn skirt

  1419. 1:56:10

    No one can beat me in this game

  1420. 1:56:12

    Impossible

  1421. 1:56:18

    Thank you, Yun Jianhui

  1422. 1:56:22

    It pissed me off

  1423. 1:56:37

    It's your turn to catch people

  1424. 1:56:51

    Holy Fuck!

  1425. 1:56:56

    Three

  1426. 1:56:57

    Hurry up

  1427. 1:56:58

    You two played too long

  1428. 1:57:01

    No

  1429. 1:57:02

    Who is it?

  1430. 1:57:04

    I lose

  1431. 1:57:05

    You lost, huh?

  1432. 1:57:07

    So now it's your turn to catch people, right?

  1433. 1:57:10

    They didn't get you yet

  1434. 1:57:12

    Ah

  1435. 1:57:12

    They didn't get you yet!

  1436. 1:57:13

    He didn't catch me

  1437. 1:57:20

    Come on

  1438. 1:57:22

    What?

  1439. 1:57:23

    Why?

  1440. 1:57:24

    Start

  1441. 1:57:25

    My turn?

  1442. 1:57:26

    Yeah

  1443. 1:57:27

    My turn to catch?

  1444. 1:57:27

    Yeah

  1445. 1:57:45

    Haha, sorry

  1446. 1:57:49

    Did I slap you?

  1447. 1:57:51

    Right on my blockhead

  1448. 1:57:54

    Do you still have energy

  1449. 1:57:56

    I am

  1450. 1:57:56

    Do you still have energy?

  1451. 1:57:58

    Yes

  1452. 1:57:59

    Why are you not happy at all?

  1453. 1:58:00

    Why are you so melancholic

  1454. 1:58:01

    Why are you so

  1455. 1:58:02

    Yes

  1456. 1:58:04

    Then what do you want to do?

  1457. 1:58:10

    What dost thou want to play?

  1458. 1:58:11

    We all listen to thee

  1459. 1:58:14

    What do you want to play?

  1460. 1:58:18

    Hmm

  1461. 1:58:27

    Yes it's this kind of very simple very simple question

  1462. 1:58:29

    I have to think

  1463. 1:58:31

    About ten ten seconds 15 seconds

  1464. 1:58:36

    You can find more people to play with

  1465. 1:58:40

    My skirt is dirty

  1466. 1:58:43

    Do you want to find more people to play with?

  1467. 1:58:45

    Hmm

  1468. 1:58:47

    Then you can ask

  1469. 1:58:49

    Is there anyone who wants to play with us?

  1470. 1:58:54

    But I'm so dirty

  1471. 1:58:58

    Why so melancholy?

  1472. 1:59:01

    Why so melancholy?

  1473. 1:59:01

    Then what should we do?

  1474. 1:59:14

    You should cheer up

  1475. 1:59:18

    Thou shouldst be merry

  1476. 1:59:22

    This seems to be something

  1477. 1:59:24

    Please don't say to your depressed

  1478. 1:59:26

    One of the three sentences you shouldn't say to your depressed friend

  1479. 1:59:31

    Three sentences you shouldn't say to your depressed friend

  1480. 1:59:34

    One of them

  1481. 2:00:06

    Hey

  1482. 2:00:08

    Huh?

  1483. 2:00:11

    Clang clang

  1484. 2:00:16

    What?

  1485. 2:00:17

    Clang

  1486. 2:00:22

    Eh?

  1487. 2:00:25

    Damn, horrible acting

  1488. 2:00:26

    You call this theater?

  1489. 2:00:31

    Why do you drink water?

  1490. 2:00:34

    Isn't this bad for the director?

  1491. 2:00:36

    No

  1492. 2:00:37

    What do you think?

  1493. 2:00:38

    This is not what I expected

  1494. 2:00:40

    Then you didn't make your expectations clear

  1495. 2:00:43

    I can't even hear the lines

  1496. 2:00:44

    How many times do I have to tell you

  1497. 2:00:46

    Project your voice

  1498. 2:00:48

    We are having a play

  1499. 2:00:50

    Abdominal voice

  1500. 2:00:51

    I paid you all

  1501. 2:00:52

    For a real theater show

  1502. 2:00:55

    Gerry teach me how to make abdominal voice

  1503. 2:00:59

    OK, I got it

  1504. 2:01:05

    Learn well the sounds and tones

  1505. 2:01:07

    The yin and yang must be clear

  1506. 2:01:10

    Is this what the director wants?

  1507. 2:01:12

    No, not this

  1508. 2:01:13

    I don't think it should be like this

  1509. 2:01:15

    This is not what I'm talking about

  1510. 2:01:17

    That's not what I meant

  1511. 2:01:19

    OK

  1512. 2:01:23

    I think I might have

  1513. 2:01:26

    Miscommunicated a little bit

  1514. 2:01:29

    Uh, I mean, um

  1515. 2:01:32

    I don't need you to be so articulate

  1516. 2:01:35

    Forget about those things

  1517. 2:01:37

    Let everyone see you

  1518. 2:01:39

    I mean, ZiChou, Gerry, let everyone see you

  1519. 2:01:42

    I think Amon is like a goddess

  1520. 2:01:44

    She is my goddess

  1521. 2:01:46

    I love her so much

  1522. 2:01:48

    Why can't you love her too

  1523. 2:01:52

    They might not like you

  1524. 2:01:55

    Why can't this world

  1525. 2:01:57

    Make those silent men disappear

  1526. 2:02:00

    Ah, you scared me to death, huh

  1527. 2:02:03

    Just look at her

  1528. 2:02:05

    She is alive and well in front of you two

  1529. 2:02:09

    Why don't you look at her

  1530. 2:02:10

    What is this, paint?

  1531. 2:02:13

    Fie, what hath this to do with me?

  1532. 2:02:15

    You created all of this.

  1533. 2:02:17

    Why can't you look at her?

  1534. 2:02:22

    Because it will disappear

  1535. 2:02:24

    Fie

  1536. 2:02:24

    This is all your doing

  1537. 2:02:27

    If thou dost not want

  1538. 2:02:28

    It means thou hast overcome

  1539. 2:02:30

    Thou art the winner today

  1540. 2:02:33

    So he is?

  1541. 2:02:34

    Why can't you look at her

  1542. 2:02:37

    So you are?

  1543. 2:02:39

    Zounds, the audience today is so courteous

  1544. 2:02:41

    Aha

  1545. 2:02:42

    What do you want to do?

  1546. 2:02:45

    Is there anyone who wants to come up and hit Gerry?

  1547. 2:02:46

    Raise your hand quickly

  1548. 2:02:48

    If we still have to follow the script

  1549. 2:02:49

    You can hit

  1550. 2:02:50

    I can hit as much as I want, huh?

  1551. 2:02:51

    OK

  1552. 2:02:52

    But I will fight back

  1553. 2:02:53

    Haha

  1554. 2:02:54

    He will fight back

  1555. 2:02:55

    Who wants to come up?

  1556. 2:02:57

    Who thinks they can replace

  1557. 2:02:58

    This male actor's role

  1558. 2:02:59

    Is it you, the one with long hair?

  1559. 2:03:01

    How do I fight?

  1560. 2:03:03

    Hahaha

  1561. 2:03:04

    Can fight back

  1562. 2:03:06

    I'm not fucking dead

  1563. 2:03:07

    Fuck, bring it on

  1564. 2:03:09

    Who can replace this male actor's role?

  1565. 2:03:12

    Me alone can't beat him

  1566. 2:03:14

    Beat them, fie, I am weak in combat

  1567. 2:03:18

    It's over, he went to the moon, what should we do?

  1568. 2:03:22

    What's it called

  1569. 2:03:23

    They come

  1570. 2:03:24

    He will go to the moon in advance

  1571. 2:03:26

    What should we do?

  1572. 2:03:28

    Slay me

  1573. 2:03:28

    Screwed

  1574. 2:03:30

    No one wants to kill you

  1575. 2:03:33

    Everything here is your burden

  1576. 2:03:37

    Who set up these things?

  1577. 2:03:38

    Did you tell me?

  1578. 2:03:40

    I told you

  1579. 2:03:42

    In your dreams, maybe

  1580. 2:03:43

    I really don't know

  1581. 2:03:45

    I told you so

  1582. 2:03:46

    I told you to bring these things

  1583. 2:03:48

    You brought this

  1584. 2:03:50

    Well, sorry about that

  1585. 2:03:53

    He ran out, couldn't act anymore

  1586. 2:03:55

    You don't want these things anymore

  1587. 2:03:56

    Not anymore

  1588. 2:03:59

    I just called it oppressor drama

  1589. 2:04:02

    Don't need them anymore

  1590. 2:04:03

    Ah!

  1591. 2:04:04

    It's when someone replaces fake Gerry

  1592. 2:04:07

    And then comes up and continues to act

  1593. 2:04:08

    Don't be like this

  1594. 2:04:10

    Uh

  1595. 2:04:12

    Gerry, can't you live without these things?

  1596. 2:04:16

    Gerry needs a layer of cloth

  1597. 2:04:17

    A layer of that

  1598. 2:04:18

    Right

  1599. 2:04:19

    Because Gerry didn't wear clothes

  1600. 2:04:19

    This is my important prop

  1601. 2:04:20

    Yes, he

  1602. 2:04:22

    Gerry told you he needed this

  1603. 2:04:25

    If there is no cloth

  1604. 2:04:26

    He will also look for a sleeping bag

  1605. 2:04:27

    He will also look for a blanket and look for

  1606. 2:04:30

    I know

  1607. 2:04:31

    I just didn't expect him to do this today again

  1608. 2:04:37

    So, our male lead

  1609. 2:04:41

    Can we do it again?

  1610. 2:04:43

    Yes

  1611. 2:04:44

    I'm the director

  1612. 2:04:44

    He's the male lead

  1613. 2:04:46

    He is the director of your play

  1614. 2:04:47

    You forgot, huh?

  1615. 2:04:48

    He's the male lead

  1616. 2:04:48

    He is the director of your play

  1617. 2:04:49

    You are the lead

  1618. 2:04:50

    Yes

  1619. 2:04:50

    He's the male lead

  1620. 2:04:51

    He is the male lead of your play

  1621. 2:04:51

    I know he is the male lead

  1622. 2:04:53

    They two are both

  1623. 2:04:53

    Created by you, right?

  1624. 2:04:55

    Gao Pengfei took me away

  1625. 2:04:55

    You are the real male lead

  1626. 2:04:57

    It's all from that

  1627. 2:05:02

    It's all from that

  1628. 2:05:06

    Produced by Zhao Xuan

  1629. 2:05:07

    But Zhaoxuan is not here today

  1630. 2:05:09

    You are here

  1631. 2:05:11

    OK

  1632. 2:05:14

    So which act are we going to start now?

  1633. 2:05:16

    You tell me

  1634. 2:05:18

    You can

  1635. 2:05:18

    I don't know your secret script

  1636. 2:05:21

    No script

  1637. 2:05:22

    No one memorized the script

  1638. 2:05:24

    We have a script

  1639. 2:05:25

    Oh there is a script

  1640. 2:05:26

    But no one memorized it

  1641. 2:05:27

    It seems you have chosen a director for yourselves

  1642. 2:05:29

    And then abandoned me

  1643. 2:05:30

    No

  1644. 2:05:31

    No

  1645. 2:05:31

    I love you love you love you

  1646. 2:05:33

    No, no puzzle

  1647. 2:05:33

    I didn't feel any love from you

  1648. 2:05:35

    Just now

  1649. 2:05:40

    I sat below and watched you cry for a long time

  1650. 2:05:44

    They didn't cry, only

  1651. 2:05:47

    So I’m feeling extremely angry right now

  1652. 2:06:03

    Can’t you live without these noises, Gerry?

  1653. 2:06:06

    Fie, do not educate me anymore

  1654. 2:06:09

    I am vexed to death

  1655. 2:06:12

    Gerry couldn't stand it anymore

  1656. 2:06:16

    It's more fun to play games

  1657. 2:06:18

    I think

  1658. 2:06:19

    Don't talk so much

  1659. 2:06:22

    Don't talk so much

  1660. 2:06:22

    Let’s play a game

  1661. 2:06:24

    Right, you think it's OK, right, director?

  1662. 2:06:25

    Fie

  1663. 2:06:25

    Okay

  1664. 2:06:26

    Gerry, are you OK?

  1665. 2:06:28

    Come

  1666. 2:06:29

    The director said we can play games

  1667. 2:06:30

    Come

  1668. 2:06:31

    Can you be happy?

  1669. 2:06:33

    Or the director will scold us later

  1670. 2:06:35

    Then let her.

  1671. 2:06:36

    I don't want to be scolded by her

  1672. 2:06:38

    You make me sound like a tyrant

  1673. 2:06:40

    What should we play?

  1674. 2:06:46

    Still play three words?

  1675. 2:06:50

    Or play the wooden man?

  1676. 2:06:59

    Let’s play the one where someone sits in the middle with a blindfold

  1677. 2:07:02

    And the three of us hit him from around

  1678. 2:07:05

    And see if he can catch anyone

  1679. 2:07:07

    Okay

  1680. 2:07:07

    OK

  1681. 2:07:09

    You go first

  1682. 2:07:10

    Do it?

  1683. 2:07:10

    Fine

  1684. 2:07:11

    Come on

  1685. 2:07:12

    How about we play rock paper scissors, it's fairer

  1686. 2:07:14

    Don’t worry, I’ll do it

  1687. 2:07:16

    What do you mean, rock paper scissors or what?

  1688. 2:07:21

    Then you come

  1689. 2:07:22

    I'll do it

  1690. 2:07:24

    OK

  1691. 2:07:25

    So

  1692. 2:07:25

    Are we paying a homage to that performance art?

  1693. 2:07:28

    I close my eyes

  1694. 2:07:28

    You can do anything to me

  1695. 2:07:30

    What kind of performance art?

  1696. 2:07:32

    Exactly, that one

  1697. 2:07:33

    I don't know

  1698. 2:07:34

    Whatever, forget it

  1699. 2:07:35

    Sit sit sit

  1700. 2:08:16

    That was close

  1701. 2:08:23

    Got you

  1702. 2:08:24

    I was forced

  1703. 2:08:25

    Damn !

  1704. 2:08:26

    He sold you out

  1705. 2:08:28

    I was forced to

  1706. 2:08:38

    I want to slay you all

  1707. 2:08:39

    What was your original script like?

  1708. 2:08:41

    Gerry is going to kill us all

  1709. 2:08:43

    Okay, kill you all

  1710. 2:08:44

    Hmm

  1711. 2:08:46

    Betrayal

  1712. 2:08:51

    Close your eyes

  1713. 2:09:01

    What are you doing

  1714. 2:09:01

    Amon

  1715. 2:09:03

    I'm catching Gerry

  1716. 2:09:05

    Let him go

  1717. 2:09:06

    Gerry seems a bit crazy

  1718. 2:09:08

    Let him go

  1719. 2:09:09

    Or he might bite someone later

  1720. 2:09:11

    Didn't he want to kill us

  1721. 2:09:13

    What's biting compared to that

  1722. 2:09:15

    I slew you all

  1723. 2:09:34

    Gerry I made up with you

  1724. 2:09:39

    Fuck, shut up, fuck

  1725. 2:09:44

    I said I made up with you

  1726. 2:09:46

    Thank you

  1727. 2:09:53

    Do you think it's important

  1728. 2:09:57

    I don't feel anything for this

  1729. 2:09:59

    At this age

  1730. 2:10:00

    How could I have a friend like thee?

  1731. 2:10:03

    Hahaha

  1732. 2:10:07

    Ha

  1733. 2:10:10

    Aa

  1734. 2:10:13

    Ah

  1735. 2:10:16

    Ah ha ah ha ah ha ah

  1736. 2:10:20

    You will regret it

  1737. 2:10:24

    Ah

  1738. 2:10:32

    So

  1739. 2:10:32

    Everything must be resolved today

  1740. 2:10:34

    I'm going to die

  1741. 2:10:36

    Is it?

  1742. 2:10:37

    Everyone may not know what happened to us

  1743. 2:10:39

    They may need to watch the movie to know

  1744. 2:10:41

    What we are doing

  1745. 2:10:42

    Hmph

  1746. 2:11:08

    All fucking not dead

  1747. 2:11:37

    You are too much

  1748. 2:11:40

    Sigh

  1749. 2:11:42

    The scar must be opened to heal

  1750. 2:11:43

    Thou knowest, thou canst not always cover it

  1751. 2:11:45

    Oh no

  1752. 2:11:45

    OK OK OK

  1753. 2:11:46

    Reveal it now

  1754. 2:11:51

    Art thou right?

  1755. 2:11:55

    Well, well, behold

  1756. 2:12:11

    This is not the main thing

  1757. 2:12:21

    Let's continue

  1758. 2:12:29

    Close your eyes

  1759. 2:12:39

    Alas, who art thou?

  1760. 2:12:40

    Ah, did I catch thee?

  1761. 2:12:41

    Ricky Ricky, you should go down now

  1762. 2:12:43

    Just leave, no, no need for you to be here

  1763. 2:12:46

    Go down

  1764. 2:12:48

    Alack, our chief director hath spoken

  1765. 2:12:50

    Thus speaks the real director !

  1766. 2:12:54

    Our chief director hath spoken

  1767. 2:12:55

    He is the real director

  1768. 2:12:56

    And then

  1769. 2:12:57

    And then

  1770. 2:12:59

    The real director

  1771. 2:13:00

    He is the director of the movie

  1772. 2:13:01

    And then this is the director character in the play

  1773. 2:13:02

    And then this is some unknown director

  1774. 2:13:05

    We have four directors on the scene now

  1775. 2:13:07

    Acting, terrible acting, can't stand it any more

  1776. 2:13:08

    Really

  1777. 2:13:09

    Can’t act anymore

  1778. 2:13:10

    Just go down and be an audience

  1779. 2:13:12

    Alright

  1780. 2:13:12

    Why I won't get off

  1781. 2:13:13

    Let the three of them move on, for real

  1782. 2:13:16

    Ricky, you go down, go down

  1783. 2:13:18

    What if I don't get off

  1784. 2:13:20

    Act, your acting is too shitty

  1785. 2:13:21

    Shitty acting, not what I need

  1786. 2:13:21

    I know I acted too badly

  1787. 2:13:23

    But you made me act this play to come here

  1788. 2:13:26

    OK OK OK

  1789. 2:14:39

    I will kill you all

  1790. 2:14:55

    Kill me

  1791. 2:15:02

    If you have the guts kill me

  1792. 2:15:11

    Ah ah

  1793. 2:15:42

    Do not so

  1794. 2:15:44

    Truly, do not so

  1795. 2:16:37

    Next scene

  1796. 2:16:44

    Next scene

  1797. 2:16:48

    What was it?

  1798. 2:16:55

    Yes

  1799. 2:16:56

    Yes

  1800. 2:16:58

    Yes

  1801. 2:17:02

    Yes

  1802. 2:17:04

    Yes

  1803. 2:17:13

    You speak first

  1804. 2:17:15

    Then it's me

  1805. 2:17:17

    Then it's her

  1806. 2:17:36

    No smoking here

  1807. 2:17:37

    I know, I don’t want to have anything to do with you anymore

  1808. 2:17:58

    Art thou better?

  1809. 2:18:02

    Aye

  1810. 2:18:28

    Just

  1811. 2:19:06

    The last scene is

  1812. 2:19:08

    Whale fall

  1813. 2:19:09

    Ah

  1814. 2:19:10

    Yes

  1815. 2:19:11

    And then

  1816. 2:19:14

    Then the director comes down

  1817. 2:19:16

    Then we skipped a lot

  1818. 2:19:17

    We skipped much

  1819. 2:19:19

    No

  1820. 2:19:19

    There is more, there is more

  1821. 2:19:22

    And

  1822. 2:19:23

    There is one more scene, methinks

  1823. 2:19:24

    Which scene

  1824. 2:19:27

    Idol drama

  1825. 2:19:33

    OK

  1826. 2:19:36

    Skip

  1827. 2:19:36

    Wilt thou skip the idol drama?

  1828. 2:19:38

    Hmm

  1829. 2:19:39

    Art thou sure?

  1830. 2:19:42

    Then skip the idol drama?

  1831. 2:19:44

    OK

  1832. 2:19:47

    Not here

  1833. 2:19:47

    Not acting here

  1834. 2:19:48

    Not here perform

  1835. 2:19:49

    Yes

  1836. 2:19:51

    Where wilt thou perform?

  1837. 2:19:53

    Acted before

  1838. 2:19:55

    No need to act

  1839. 2:19:57

    OK

  1840. 2:19:58

    Then now the final scene?

  1841. 2:19:59

    Hmm

  1842. 2:20:00

    Well, what is the arrangement of the final scene?

  1843. 2:20:01

    We

  1844. 2:20:03

    Sit in

  1845. 2:20:05

    The original place

  1846. 2:20:07

    And then

  1847. 2:20:10

    He speaks first

  1848. 2:20:13

    Or you speak first

  1849. 2:20:15

    He speaks first

  1850. 2:20:16

    He speaks first

  1851. 2:20:17

    Then it's I speak again

  1852. 2:20:18

    Thou speakest next

  1853. 2:20:19

    Then he speaks again

  1854. 2:20:21

    I speak again

  1855. 2:20:22

    Thou speakest again

  1856. 2:20:23

    He speaks again

  1857. 2:20:25

    I speak again, thou speakest

  1858. 2:20:28

    Come

  1859. 2:22:01

    I never knew which day

  1860. 2:22:07

    Cut off

  1861. 2:22:11

    Feeling

  1862. 2:22:14

    Love

  1863. 2:22:16

    Hate

  1864. 2:22:18

    Hate and suffer

  1865. 2:22:23

    Happy

  1866. 2:22:26

    Just

  1867. 2:22:28

    Just like cutting the cornea surgery

  1868. 2:22:31

    Cut it off and then it's gone

  1869. 2:22:37

    Can't feel anything

  1870. 2:22:42

    Yes

  1871. 2:22:44

    Yes

  1872. 2:22:47

    Yes

  1873. 2:23:10

    Then Amon speaks

  1874. 2:23:11

    Amon, what are you thinking now?

  1875. 2:23:14

    Thought naught

  1876. 2:23:35

    Aye

  1877. 2:23:36

    Aye

  1878. 2:23:39

    Verily

  1879. 2:23:41

    Made thee speak so much

  1880. 2:23:44

    Aye

  1881. 2:23:48

    Speaking these

  1882. 2:23:50

    Mayhap they all mean

  1883. 2:23:53

    Hearing thee speak these words

  1884. 2:23:57

    There must be a place not fully revealed

  1885. 2:24:02

    Damn it

  1886. 2:24:05

    Yes, it should, it should be exposed

  1887. 2:24:10

    Expose her

  1888. 2:24:12

    Is it beneficial for me?

  1889. 2:24:13

    Helpful to thee

  1890. 2:24:14

    Does it help me?

  1891. 2:24:16

    It is helpful to thee

  1892. 2:24:17

    But I know thou canst not accept

  1893. 2:24:25

    He has a kind of, a kind of reality

  1894. 2:24:28

    Aye, and there is also a pressure

  1895. 2:24:46

    Pray speak on

  1896. 2:24:47

    I am listening

  1897. 2:24:56

    I am now

  1898. 2:24:58

    Blank in my mind

  1899. 2:25:02

    Thou missed

  1900. 2:25:04

    Thou left out many words

  1901. 2:25:07

    It should be

  1902. 2:25:08

    The former aye

  1903. 2:25:09

    It should be revealed

  1904. 2:25:10

    It revealed should be helpful to us

  1905. 2:25:12

    But I know not how to reveal it

  1906. 2:25:14

    Aye, yes

  1907. 2:25:15

    Then the third time we kneel face to face

  1908. 2:25:17

    I started to help him

  1909. 2:25:18

    Felt naught

  1910. 2:25:18

    I had to do it myself

  1911. 2:25:19

    We toiled for a good while

  1912. 2:25:21

    The sweat on our backs ran down to our buttocks

  1913. 2:25:22

    Yet we achieved naught

  1914. 2:25:23

    Oh right

  1915. 2:25:23

    It is thus

  1916. 2:25:24

    I know these words are hard for all to utter

  1917. 2:25:26

    But I, just so, accepted them without a clue

  1918. 2:25:28

    Dost thou know?

  1919. 2:25:30

    Ah yes yes yes

  1920. 2:25:31

    This is freaking ridiculous to me

  1921. 2:25:33

    This is freaking ridiculous to me, this kind of talk is really freaking disgusting

  1922. 2:25:36

    You know?

  1923. 2:25:36

    It's freaking nauseating

  1924. 2:25:37

    Fuck your mother

  1925. 2:25:39

    Indeed

  1926. 2:25:40

    So he ate and ate and ate it all

  1927. 2:25:45

    Hmph

  1928. 2:25:48

    Just swallowed it

  1929. 2:25:52

    Pray continue

  1930. 2:25:58

    And then he ate

  1931. 2:25:59

    He ate it all

  1932. 2:26:01

    He did not resist nor dare to refute

  1933. 2:26:02

    He could not refute

  1934. 2:26:08

    Hmph

  1935. 2:26:09

    Pray continue

  1936. 2:26:19

    I

  1937. 2:26:21

    Don't want to say

  1938. 2:26:30

    Souls boil in lonely cities

  1939. 2:26:40

    The tight stone

  1940. 2:26:43

    Knocking the hard ground

  1941. 2:26:55

    What do you think of Xu Jinjiang?

  1942. 2:26:58

    I think he is fine

  1943. 2:27:00

    He is quite good

  1944. 2:27:05

    I think he's too numb

  1945. 2:27:06

    He's numb like a stone tablet

  1946. 2:27:07

    Why didn't he feel it?

  1947. 2:27:09

    I wrote this play for him

  1948. 2:27:19

    Do you know why I chose you as an actor?

  1949. 2:27:21

    I know not

  1950. 2:27:33

    Because I'm crazy

  1951. 2:27:35

    Ha ha, thou art mad

  1952. 2:28:24

    What dost you?

  1953. 2:28:25

    What wilt you?

  1954. 2:28:32

    What dost thou?

  1955. 2:28:34

    Art you not blank in thy mind?

  1956. 2:28:37

    Hmm, dost you need me to speak for thee?

  1957. 2:28:43

    Dost you want me to speak for thee?

  1958. 2:28:45

    Speak

  1959. 2:28:48

    My only successful shot

  1960. 2:28:50

    Was when I woke up alone one night

  1961. 2:28:52

    Holding his hand while doing it

  1962. 2:28:59

    Just the body in this place

  1963. 2:29:01

    But I can't control it

  1964. 2:29:02

    Fuck his mother

  1965. 2:29:04

    The body in this place

  1966. 2:29:05

    I can't control it

  1967. 2:29:10

    My brain is blank now

  1968. 2:29:13

    Consciousness has ejected the magazine

  1969. 2:29:17

    It's okay

  1970. 2:29:18

    I can do it by myself

  1971. 2:29:20

    You go first

  1972. 2:29:22

    I can handle it myself

  1973. 2:29:39

    Let go of me

  1974. 2:29:44

    Do you think this is amusing?

  1975. 2:29:49

    Do you think this is amusing?

  1976. 2:29:52

    Ah

  1977. 2:29:57

    Do you think this is amusing?

  1978. 2:29:58

    Amusing

  1979. 2:30:00

    Very amusing

  1980. 2:30:01

    How is it amusing?

  1981. 2:30:02

    Very secure

  1982. 2:30:03

    Do you know?

  1983. 2:30:04

    Because nothing and no one can see you

  1984. 2:30:07

    Right

  1985. 2:30:08

    Because you are not being gazed at

  1986. 2:30:10

    Yeah because you are scared

  1987. 2:30:11

    You are a coward

  1988. 2:30:14

    Yes

  1989. 2:30:17

    No way out

  1990. 2:30:19

    We can go

  1991. 2:30:29

    You keep talking

  1992. 2:30:37

    So this is all over?

  1993. 2:30:40

    Yeah

  1994. 2:30:41

    Everyone will never see us again

  1995. 2:30:47

    Everyone will be baffled

  1996. 2:30:50

    Right

  1997. 2:30:55

    So this is what you want

  1998. 2:31:01

    So this is what you want?

  1999. 2:31:04

    Right

  2000. 2:31:06

    No one can see you

  2001. 2:31:09

    Right

  2002. 2:31:55

    Uh

  2003. 2:31:57

    Thank you all

  2004. 2:31:59

    For watching our performance

  2005. 2:32:00

    Our performance is over

  2006. 2:32:02

    And then

  2007. 2:32:04

    Thank you three

  2008. 2:32:05

    Oh no, four

  2009. 2:32:06

    Oh, five

  2010. 2:32:07

    Five actors for their splendid performance

  2011. 2:32:08

    Believe him believe him

  2012. 2:32:10

    Believe in science okay?

  2013. 2:32:11

    And then, have fun everyone

  2014. 2:32:13

    I'll wait for you on the moon

  2015. 2:32:15

    You can't, he's lying to you

  2016. 2:32:17

    You don't know what that thing means to me

  2017. 2:32:19

    What it signifies

  2018. 2:32:20

    He's lying to you

  2019. 2:32:22

    Who pissed on the floor in the toilet?

  2020. 2:32:22

    I've been waiting for that opportunity for five years

  2021. 2:32:23

    He's lying to you

  2022. 2:32:25

    Who pissed on the toilet floor?

  2023. 2:32:26

    I went in with bare foot

  2024. 2:32:28

    The film's lying to you

  2025. 2:32:29

    Toilet?

  2026. 2:32:31

    You only need to cross that door

  2027. 2:32:36

    The king took his agile legs

  2028. 2:32:38

    And ran towards the door

  2029. 2:32:42

    Our king crossed a door

  2030. 2:32:48

    What the hell is going on with this film? Who pissed on me?

  2031. 2:33:01

    I have a few words

  2032. 2:33:04

    To express to the stars of dawn

  2033. 2:33:26

    I just don't care about anything

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