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Before an Intimate Scene: How Actors Learn to Trust | P4 Theater

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正式项目关系P4E-002 · 人类投降派
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2026-09-20 17:15:07 UTC
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  1. 0:00

    You all trust each other

  2. 0:01

    that's the best

  3. 0:02

    The three of us trust each other

  4. 0:04

    Hmm, yes, after a lot

  5. 0:05

    Actually, we can't add anyone else

  6. 0:07

    Hmm, really

  7. 0:08

    Hmm

  8. 0:08

    We can feel it from the first sentence

  9. 0:10

    B

  10. 0:11

    The relationship between B and O

  11. 0:12

    You, yes, this is what I want to say, that is

  12. 0:17

    Uh

  13. 0:17

    They

  14. 0:19

    are

  15. 0:20

    They are broken, wanting

  16. 0:23

    to connect with each other

  17. 0:26

    like a broken mirror mended

  18. 0:28

    but it can't be put back together

  19. 0:30

    Then they can only hurt each other

  20. 0:31

    just to become more

  21. 0:34

    Understand

  22. 0:35

    Hmm

  23. 0:36

    Yes, you can imagine your own skin

  24. 0:38

    every part of your soul is fragmented

  25. 0:41

    and very sharp

  26. 0:43

    Yes, put the pieces together.

  27. 0:45

    shaking, shaking, shaking

  28. 0:46

    just put us both in a big plastic bag and shake it

  29. 0:49

    Hmm

  30. 0:50

    It can only become more fragmented

  31. 0:52

    Yes, there's no way

  32. 0:53

    Go

  33. 0:54

    who saves whom

  34. 0:55

    But a special relationship is Xiao Ou

  35. 0:58

    Xiao Ou thinks she is very guilty

  36. 1:00

    Then

  37. 1:00

    Then you want to re-establish an order

  38. 1:04

    That's what I mean by adjusting the character spacing

  39. 1:06

    and then adjusting the format

  40. 1:07

    But it can't be adjusted

  41. 1:09

    you don't have the ability to do anything

  42. 1:12

    you can only destroy me

  43. 1:14

    and I can only destroy you

  44. 1:15

    Why don't these two break up?

  45. 1:17

    Break up quickly

  46. 1:17

    Isn't this art?

  47. 1:19

    Hahahahahahaha

  48. 1:21

    Because it's impossible for every moment to be full of inspiration

  49. 1:23

    Some things are

  50. 1:25

    even most of it is just

  51. 1:27

    Coincidence is connection

  52. 1:29

    Coincidence is an unbreakable line

  53. 1:31

    It's just that it made a crack in your narcissism

  54. 1:35

    Let others

  55. 1:37

    inject into their own

  56. 1:39

    history

  57. 1:40

    Then there is life

  58. 1:43

    Wow

  59. 1:44

    like an egg and sperm

  60. 1:46

    Every word, and every sentence

  61. 1:48

    and then

  62. 1:49

    it's like what you said

  63. 1:50

    it spread out

  64. 1:51

    and then he can grasp the emotion

  65. 1:53

    Then when I was rehearsing "Three Lives, Three Worlds", on the first day

  66. 1:56

    it was just me and Siri there

  67. 1:57

    and A Meng wasn't there

  68. 1:58

    Then A, B, C, read like this

  69. 2:00

    The first sentence was said by A

  70. 2:01

    The second sentence was said by B

  71. 2:01

    The third sentence was said by C

  72. 2:02

    But A Meng wasn't there

  73. 2:03

    so I had to read B and C's lines

  74. 2:05

    Then

  75. 2:05

    Before reading

  76. 2:06

    I didn't know how to act

  77. 2:07

    Then, Siri is A, right?

  78. 2:08

    It reads the first sentence

  79. 2:09

    I learned it after it finished reading

  80. 2:10

    It's so cool

  81. 2:11

    Ah, yes, you try it

  82. 2:13

    you don't need to say those things

  83. 2:15

    just read the lines

  84. 2:16

    If you feel uncomfortable

  85. 2:17

    you can read it again

  86. 2:18

    If you think he's not connecting correctly

  87. 2:19

    you repeat the previous one again

  88. 2:22

    until he feels, "Hey

  89. 2:23

    that feels right"

  90. 2:24

    then you move on

  91. 2:25

    It's okay, I have no demands on him

  92. 2:27

    It's okay, it's okay

  93. 2:27

    you can try this kind of method

  94. 2:29

    don't say a word except for the lines

  95. 2:32

    If you feel it's wrong

  96. 2:33

    then you repeat the previous one

  97. 2:35

    Actually, actually, when I listen to it

  98. 2:38

    I think there's a lot in it

  99. 2:41

    It's a very rich imaginative level

  100. 2:44

    Actually, it's a bit like a trio

  101. 2:46

    There's a huge amount of stuff under this text

  102. 2:51

    Mm

  103. 2:51

    Mm. But that thing

  104. 2:52

    Mm

  105. 2:52

    Mm, yes

  106. 2:53

    It helps to tell the actors

  107. 2:55

    But Amon, he just

  108. 2:58

    Siri and we didn't tell him what the subtext was

  109. 3:01

    Then Amon acted the same

  110. 3:02

    Yes, that thing actually

  111. 3:04

    Mm, those who know, know

  112. 3:07

    And

  113. 3:07

    And the less you say

  114. 3:09

    the more open it is

  115. 3:10

    In the end, it leads to the audience

  116. 3:13

    The audience can relate to everyone

  117. 3:16

    It might help to say it at the very beginning

  118. 3:19

    And then at the end

  119. 3:20

    But when you actually perform it in the end

  120. 3:21

    everyone forgets those things

  121. 3:23

    Yes, yes, yes, yes

  122. 3:23

    Not important, that's not important

  123. 3:25

    Not important at all

  124. 3:25

    And you can imagine some images when you read the lines

  125. 3:28

    Any image is fine, force

  126. 3:30

    This is not forced, right?

  127. 3:32

    It's best to think consciously

  128. 3:35

    Until that imagination becomes unconscious

  129. 3:37

    Uh-huh, prince saves the beauty

  130. 3:41

    It

  131. 3:41

    It's a bit cliché

  132. 3:42

    It's very cliché

  133. 3:43

    I don't know

  134. 3:44

    I don't know

  135. 3:45

    It's cliché, I think this is a bit cliché to me

  136. 3:47

    Something not cliché

  137. 3:49

    Something not cliché

  138. 3:51

    Oh, that intertwining just now was very not cliché

  139. 3:54

    Just now

  140. 3:55

    Not cliché

  141. 3:56

    But he might look bad bending over to feed me

  142. 4:00

    But not in a close-up, in a close-up

  143. 4:03

    Wow, you think a lot

  144. 4:04

    Just actors

  145. 4:05

    Act

  146. 4:05

    Actors with a director's mindset

  147. 4:08

    Damn, I've seen such actors before

  148. 4:10

    I am such a person

  149. 4:12

    But then I found out

  150. 4:13

    It shouldn't be like this

  151. 4:14

    I just can't help it

  152. 4:16

    Even if I'm an actor

  153. 4:17

    I can't help but worry a lot

  154. 4:19

    Mm, you have to trust your

  155. 4:21

    cooperation

  156. 4:22

    No, no, no, no

  157. 4:23

    You don't have to think about the movie

  158. 4:26

    Just do what you want to do most

  159. 4:28

    Just be the character in the script

  160. 4:30

    Don't be, don't think

  161. 4:33

    OK

  162. 4:34

    Then why are you laughing?

  163. 4:37

    No, it fell

  164. 4:38

    This ice cube is not big enough

  165. 4:39

    Forget it, give up on it

  166. 4:41

    Give up on him

  167. 4:42

    I'm getting out of character too much

  168. 4:44

    Sorry

  169. 4:45

    No problem

  170. 4:46

    Hey, it's okay, just get out, just get out

  171. 4:47

    If you want to get out, get out

  172. 4:49

    But you can get back in

  173. 4:51

    Ah

  174. 4:52

    Hey, does this look good?

  175. 4:54

    I'm always thinking

  176. 4:55

    Should I lie back down?

  177. 4:56

    Please don't worry about me, I beg you

  178. 4:59

    I'm thinking

  179. 5:00

    I'm thinking about what our beginning and end are

  180. 5:02

    You think about it

  181. 5:03

    Let me think

  182. 5:05

    It started with

  183. 5:06

    Or your script

  184. 5:08

    What is the beginning and end?

  185. 5:10

    You are destroying me

  186. 5:11

    It starts with destruction

  187. 5:12

    It starts when I realize you are destroying me

  188. 5:14

    Then I was destroyed

  189. 5:15

    Then you sleep well

  190. 5:17

    You are very cold, cold, cold

  191. 5:18

    And then you freeze to death

  192. 5:20

    Very tragic, negative beginning and negative ending

  193. 5:23

    And from

  194. 5:24

    And we just act normally

  195. 5:26

    It doesn't have to be a stage play

  196. 5:27

    Oh

  197. 5:27

    I understand, I know

  198. 5:28

    Not a stage play

  199. 5:29

    Anyway, in daily life

  200. 5:31

    but daily life also has emotions

  201. 5:32

    and violence

  202. 5:33

    Yes

  203. 5:34

    Jiarui, no problem

  204. 5:35

    Jiarui has always been like this

  205. 5:36

    Stage plays are also like this

  206. 5:37

    Damn, I have too many problems

  207. 5:39

    I just want to laugh when I see you

  208. 5:41

    Why?

  209. 5:41

    I look very funny

  210. 5:42

    I should go do some comedy

  211. 5:45

    No, you're not like that

  212. 5:47

    Not under the influence of comedy

  213. 5:50

    Yes

  214. 5:51

    Hmm

  215. 5:52

    Seeing someone you like

  216. 5:55

    You'll want to laugh

  217. 5:56

    Right

  218. 5:56

    Not that often

  219. 5:58

    Hmm

  220. 5:59

    I don't think you're destroying me

  221. 6:01

    Habit

  222. 6:02

    What habit?

  223. 6:03

    Hurting others

  224. 6:04

    Hmm

  225. 6:05

    Because that thing was written when I was in a bad mood, hehe

  226. 6:09

    I'm in a pretty good mood now

  227. 6:10

    Maybe we don't hurt

  228. 6:12

    just perform it tenderly

  229. 6:15

    a helpless love

  230. 6:18

    I'm getting into it

  231. 6:19

    OK, I'll take my time

  232. 6:20

    I'm not the person you need.

  233. 6:22

    But I only have you

  234. 6:24

    What are you saying now?

  235. 6:25

    What for?

  236. 6:26

    If you want to leave, go ahead

  237. 6:28

    Anytime

  238. 6:29

    Get out!

  239. 6:33

    Get out!

  240. 6:36

    Go

  241. 6:37

    Hmph

  242. 6:38

    Is that how it is, okay?

  243. 6:40

    I don't want this

  244. 6:42

    I see a trace of unwillingness in your eyes

  245. 6:46

    No

  246. 6:47

    How can you make me believe you?

  247. 6:49

    I can't trust anyone anymore

  248. 6:51

    How can you make me believe you?

  249. 6:53

    We can stay further away

  250. 6:55

    Do you understand?

  251. 6:56

    The cup can be thrown away after the water runs out

  252. 6:58

    I can't give you more

  253. 7:00

    What's the use?

  254. 7:02

    Yes

  255. 7:03

    Please, just go

  256. 7:05

    Just go, there's no need for this

  257. 7:06

    Only those who watch can cry

  258. 7:08

    I keep slipping out of character.

  259. 7:10

    I can't immerse myself

  260. 7:12

    but I can force myself to act

  261. 7:15

    What's wrong with you?

  262. 7:16

    You're acting pretty well, aren't you?

  263. 7:18

    Oh, I'm sorry

  264. 7:19

    No

  265. 7:19

    No, maybe it's because I'm not familiar with the set environment

  266. 7:21

    Hehehe

  267. 7:22

    I

  268. 7:22

    I completely forgot about him

  269. 7:24

    Oh, you forgot?

  270. 7:25

    Ah, basically

  271. 7:26

    Many moments

  272. 7:27

    I always pay attention to this

  273. 7:28

    Very good, very good

  274. 7:29

    Damn, I cried, I cried

  275. 7:30

    Mainly because I can't immerse myself in that sinful character

  276. 7:34

    It's okay, it's okay

  277. 7:35

    You're not, you're not

  278. 7:36

    Actually, Ricky, you're also very good

  279. 7:37

    You're also very good

  280. 7:38

    It's just being brought into it

  281. 7:40

    just facing each other

  282. 7:42

    Oh, damn, wait a moment

  283. 7:44

    Calm down

  284. 7:44

    Take a break, take a break

  285. 7:46

    Good, damn

  286. 7:47

    Damn

  287. 7:47

    Ricky, you acted very well

  288. 7:49

    Very good

  289. 7:49

    Hmm

  290. 7:51

    Yes, I felt like I was being led

  291. 7:53

    Yes

  292. 7:53

    Because I felt you were Jiarui

  293. 7:55

    Then I couldn't get into it

  294. 7:56

    I kept thinking, who is little B?

  295. 7:59

    B, huh?

  296. 8:00

    Oh

  297. 8:00

    He forgot what he wrote

  298. 8:02

    No

  299. 8:02

    No, I was like, oh

  300. 8:04

    It's little B, I'm big B

  301. 8:06

    Big B, big B, big B, big B, no

  302. 8:08

    I kept thinking it was Jiarui

  303. 8:10

    It's not Jiarui, it's not Jia

  304. 8:11

    It's Jiarui, no way

  305. 8:13

    It's okay

  306. 8:13

    I don't know either

  307. 8:14

    It doesn't matter, for acting it doesn't matter

  308. 8:16

    The result is good anyway

  309. 8:17

    I can't tell

  310. 8:18

    As long as the result is good

  311. 8:19

    No, no, no, no

  312. 8:20

    Or he's a very natural actor

  313. 8:22

    Truly natural

  314. 8:22

    But that would be very hurtful

  315. 8:25

    I came out in one second

  316. 8:27

    Oh, you're fine

  317. 8:29

    You don't need to be so defensive

  318. 8:32

    Yes

  319. 8:33

    Actually, you don't need to say too much

  320. 8:35

    You're already really good

  321. 8:37

    You're also special

  322. 8:38

    Yes, I just really like to talk

  323. 8:40

    You know?

  324. 8:40

    When I improvise

  325. 8:41

    I especially like to say lines

  326. 8:43

    Damn, I don't even know how I acted it out

  327. 8:45

    A miracle happened

  328. 8:46

    This is a true miracle

  329. 8:47

    You all trust each other

  330. 8:49

    This is the best

  331. 8:50

    The three of us trust each other

  332. 8:51

    Hmm, yes, after a lot

  333. 8:53

    Actually, we can't add anyone else

  334. 8:55

    Hmm. Really

  335. 8:56

    Hmm

  336. 8:56

    Oh, damn, you're good

  337. 8:58

    Okay

  338. 8:59

    Hmm

  339. 8:59

    I think, damn

  340. 9:01

    This just now

  341. 9:02

    Each one is a good example

  342. 9:05

    Hmm

  343. 9:05

    A record

  344. 9:07

    I tell you

  345. 9:08

    Really, you don't have these things in your footage

  346. 9:11

    Ordinary people can't film this kind of thing

  347. 9:13

    He can't film it

  348. 9:14

    Can't film things that close

  349. 9:17

    Fate is making me

  350. 9:18

    An actor

  351. 9:19

    Yes, making me an actor

  352. 9:21

    Yes, Jiarui, you really acted too well

  353. 9:25

    Jiarui is amazing, really

  354. 9:26

    I think, damn

  355. 9:28

    All thanks to friends

  356. 9:29

    Thank you

  357. 9:30

    Thank you

  358. 9:31

    Thank you

  359. 9:32

    Thank you for letting me

  360. 9:33

    Thank you

  361. 9:34

    Thank you for showing me a good actor

  362. 9:36

    Wow! This makes me so excited

  363. 9:40

    Really

  364. 9:41

    I often wonder

  365. 9:42

    Why can't I love?

  366. 9:44

    No one

  367. 9:46

    No one taught us how to love

  368. 9:48

    Can it be taught?

  369. 9:49

    Love requires a kind of

  370. 9:51

    perseverance

  371. 9:53

    Willpower

  372. 9:54

    It's truly never giving up, and

  373. 9:56

    security

  374. 9:57

    To love someone, you need to feel secure yourself.

  375. 10:01

    Hmm

  376. 10:01

    Too heavy