P4 THEATER / PUBLIC PROJECT INDEX

Every public project, one stable page

This index gives every public P4 project a stable English route and a direct path to its Chinese page. Each card also shows whether related public video is available to watch.

One lineage, two reading conditions

01

English introductions and writing

p4theater.top brings P4’s key works, concepts and complete Chinese–English reading paths together.

02

Chinese project pages

This archive keeps dated Chinese pages, images and related events together.

34
public project pagesone route for each project
18
projects with public video16 project pages currently focus on text and images
227
public YouTube videoscurrent owner-channel register
51
videos with caption signalsverified text and platform-only tracks

These project pages connect 184 texts and 1,122 images. Video totals reflect the current reviewed public channel register.

COMPLETE PUBLIC INDEX

One route for every public project

Where an established English title exists, it appears beside the Chinese title. Other projects keep their Chinese names until an English title becomes part of the work’s public life.

P4C-0042020

Real Image

实像

This early P4 method places the person holding the camera inside the encounter. Portraiture becomes a reciprocal performance witnessed by the image.

No public video on this page

Real Image unfolds here through photography, writing and participant memory. No public video is linked on this page.

Open project page English introduction
Cocoon — P4 Theater Archive | Local Video Materials 2020-2021 | Compilation 01YOUTUBE
P4C-0062020

Cocoon

茧房

P4’s fifth public theatre work moved from an open call for performers and dancers to a performance on 31 October 2020. Bodily practice and participants’ own experience became shared compositional material.

Open project page English introduction
VORTEX — P4 Theater Archive | VORTEX | Rehearsal Fragments | 19–20 Feb 2022YOUTUBE
P4C-0142022

VORTEX

漩涡

Developed by Northwind Theater in early 2022 through roughly one month of collective creation, VORTEX moved between personal material, embodied action and group discussion. This archive distinguishes the 19–20 February rehearsal fragments and the 5 March film version from the complete public performance on 12 March.

Open project page English introduction
P4C-0172022

旋转楼梯

Original Chinese title

Read “旋转楼梯” (P4C-017) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

Spiral Staircase is represented here through writing and project images. No public video directly identified with the work is linked.

Open project page Project page
P4C-0202022

波菲利娅

Original Chinese title

Read “波菲利娅” (P4C-020) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page brings together writing, photographs and the project timeline. No public video is linked.

Open project page Project page
P4C-02413

绞肉机

Original Chinese title

Read “绞肉机” (P4C-024) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page brings together writing, photographs and the project timeline. No public video is linked.

Open project page Project page
P4C-0252022

恋爱戏剧

Original Chinese title

Read “恋爱戏剧” (P4C-025) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page brings together writing, photographs and the project timeline. No public video is linked.

Open project page Project page
P4C-02615

Kiss You, Kill Me

Original title

Read “Kiss You, Kill Me” (P4C-026) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page brings together writing, photographs and the project timeline. No public video is linked.

Open project page Project page
P4C-02716

成风破浪

Original Chinese title

Read “成风破浪” (P4C-027) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page includes the project launch and participant call. No complete performance video is linked.

Open project page Project page
P4C-0282023

四目

Original Chinese title

Read “四目” (P4C-028) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page brings together writing, photographs and the project timeline. No public video is linked.

Open project page Project page
P4C-0292023

走出日常

Original Chinese title

Read “走出日常” (P4C-029) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page includes the project launch and participant call. No later project video is linked.

Open project page Project page
Twin Breeding — P4 Theater Archive | Shi Jiating | Personal Recording April 29YOUTUBE
P4C-0362024

Twin Breeding

孽生繁殖

Shi Jiating’s 2024 exhibition and writing project works through an abandoned Tangshan youth, self-description and the instability of making another person into an image or object of knowledge.

Open project page English introduction
p4U — The Middle Party — Full Performance|iPhone机位YOUTUBE
P4C-0382020

p4U

p4U 计划

Announced in November 2020, p4U invited people to bring a proposal, form a temporary group and make work on the P4 stage. Each edition changed with its participants rather than repeating a fixed repertory model.

Open project page English introduction
P4C-03922

p4X 挑战

Original Chinese title

Read “p4X 挑战” (P4C-039) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

The available footage from the same day belongs to Buzhe Workshop; no standalone p4X video is available on this page.

Open project page Project page
P4C-0402021

Purple Action

紫色行动

Across a series of actions beginning in 2021, players and spectators negotiated changing rules in real time. Theatre became a temporary political arrangement rather than a finished object presented to an audience.

No public video on this page

The related live excerpt appears with Duel Club and is not duplicated here.

Open project page English introduction
P4C-04924

个人志

Original Chinese title

Read “个人志” (P4C-049) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page includes public-account writing and participant calls. No public video is linked.

Open project page Project page
P4C-05526

捕鼠器

Original Chinese title

Read “捕鼠器” (P4C-055) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

The Mousetrap page is built around writing and project images. No public video directly identified with the work is linked.

Open project page Project page
P4C-05627

辩证戏剧

Original Chinese title

Read “辩证戏剧” (P4C-056) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page includes the participant call. No video of a continuing group or completed work is linked.

Open project page Project page
P4C-06430

玻璃剧团

Original Chinese title

Read “玻璃剧团” (P4C-064) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page follows the writing and connections around the project. No public video is linked.

Open project page Project page
P4C-0712025–2026

行动者生成拓扑学

Original Chinese title

Read “行动者生成拓扑学” (P4C-071) through its Chinese project page, dates, photographs, writing and any public video connected to the work.

No public video on this page

This page includes one project-related audio work. No public video is linked.

Open project page Project page
Killing Mother — Killing Mother — Complete Performance Archive | Beijing, 4 June 2023YOUTUBE
P4C-0882023

Killing Mother

杀死母亲

Held in Beijing on 4 June 2023, Killing Mother began with writing brought into the room and developed through rotating roles, paired improvisations, group witnessing and collective debriefing. The archive keeps both a 6:52 curated documentary film and the complete 3:29:08 camera record.

Open project page English introduction
Iceberg — ICEBERG 冰山 — Trailer | One Night. One Play. No Director.YOUTUBE
P4E-00133

Iceberg

冰山

Developed through the Northwind Theater branch, Iceberg connects meetings, rehearsals, field filming, interviews, performance and critical response. The project can be followed across each of those moments.

Open project page English introduction

HOW TO READ

Begin with a question, not a canon

These pages follow P4 projects; they are not a general history of the field. Use the main-site Chinese experimental theater guide to locate the work in a wider context, then consult the P4 Theater profile for the organization’s own practice and vocabulary.

Understand

Use the main-site profile for a concise English introduction to P4 and its works.

Read the dates

Move through calls, performance notices and writing published after each event.

Keep moving

Follow people, events, images and neighbouring projects instead of stopping at one title.

NINE PROJECT LINEAGES

From Real Image to Human Surrender

Browse the complete Chinese project index
Real Image project image
01 / 102020–2024

Photography becomes a theatre for two people

Real Image

实像

This early P4 method places the person holding the camera inside the encounter. Portraiture becomes a reciprocal performance witnessed by the image.

Follow the project

Read the evolving method through invitations, participant accounts, image sequences and later retrospectives.

photographyencountertwo-person theatre
texts
56
images
494
p4U — The Middle Party — Full Performance|iPhone机位
02 / 102020–2022

An open protocol for non-professional makers

p4U

p4U 计划

Announced in November 2020, p4U invited people to bring a proposal, form a temporary group and make work on the P4 stage. Each edition changed with its participants rather than repeating a fixed repertory model.

Follow the project

Follow the programme through recruitment calls, workshops, one-time performances and the projects that grew from it.

open programmeco-creationtemporary groups
texts
46
images
529
Cocoon — P4 Theater Archive | Local Video Materials 2020-2021 | Compilation 01
03 / 102020–2023

Bodies and lived material inside one compressed cycle

Cocoon

茧房

P4’s fifth public theatre work moved from an open call for performers and dancers to a performance on 31 October 2020. Bodily practice and participants’ own experience became shared compositional material.

Follow the project

Follow the call, performance notice, interviews and photographs in the order they appeared.

dance theatrerehearsalparticipant testimony
texts
27
images
457
Howlers on the Rooftop — What Happens When a Voice Has Nowhere to Go? | P4 Theater
04 / 102020–2022

A script altered by bodies, space and contingency

Howlers on the Rooftop

天台上的嚎叫者

The work began with a script and became a one-time performance on 2 January 2021. Rehearsal redistributed authorship across performers, the room and events nobody could fully anticipate.

Follow the project

Use the interviews after the performance to compare how different participants remember the same event.

one-time performancerehearsaloral history
texts
28
images
252
Purple Action project image
05 / 102021–2022

Players, votes and provisional rules generate the event

Purple Action

紫色行动

Across a series of actions beginning in 2021, players and spectators negotiated changing rules in real time. Theatre became a temporary political arrangement rather than a finished object presented to an audience.

Follow the project

Recruitment posts, player texts and adjacent Duel Club records reveal how each rule entered the situation.

playersvotingcollective action
texts
23
images
157
Iceberg — ICEBERG 冰山 — Trailer | One Night. One Play. No Director.
06 / 102021–2022

A work grows through meetings, filming and performance

Iceberg

冰山

Developed through the Northwind Theater branch, Iceberg connects meetings, rehearsals, field filming, interviews, performance and critical response. The project can be followed across each of those moments.

Follow the project

Begin with the project page, then continue through its events, interviews, photographs and moving images.

Northwind Theaterproduction networkcritical response
texts
19
images
48
Human Surrender / Shoot Self with You — NO ONE CAN SEE YOU. THE CAMERA CAN. | P4 Theater
07 / 102023–2024

Theatre, documentary and fiction enter the same film process

Human Surrender / Shoot Self with You

人类投降派

Recruitment, rehearsal, testimony, performance and filming form a single long relational process. The work carries P4’s experiments with cameras and participation into a film without resolving them into one stable genre.

Follow the project

Follow the film through rehearsal, filming, performance and public responses, then continue to the English film guide.

filmtheatredocumentary relation
texts
18
images
221
The Last Rehearsal — P4 Theater Archive | Human Surrender | Final Rehearsal Fish Stabbing Materials 01
08 / 102023

A performance inside the making of Human Surrender

The Last Rehearsal

最后的排练

Performed on 26 August 2023, The Last Rehearsal is also a play within the film. Rehearsal, filming and spectatorship occupy one room while the right to judge what is real remains unsettled.

Follow the project

Move from advance texts to the dated performance record, then compare the first reviews and participants’ after-echoes.

performancefilm-within-filmwitnessing
texts
13
images
96
Twin Breeding — P4 Theater Archive | Shi Jiating | Personal Recording April 29
09 / 102024

An exhibition tests copying, self-material and address

Twin Breeding

孽生繁殖

Shi Jiating’s 2024 exhibition and writing project works through an abandoned Tangshan youth, self-description and the instability of making another person into an image or object of knowledge.

Follow the project

Follow the exhibition alongside its personal moving images and the essay published after it.

exhibitionpersonal materialmoving image
texts
3
images
37
Killing Mother — Killing Mother — Complete Performance Archive | Beijing, 4 June 2023
10 / 102023

A participatory salon turns an inherited role into shared action

Killing Mother

杀死母亲

Held in Beijing on 4 June 2023, Killing Mother began with writing brought into the room and developed through rotating roles, paired improvisations, group witnessing and collective debriefing. The archive keeps both a 6:52 curated documentary film and the complete 3:29:08 camera record.

Follow the project

Begin with the bilingual documentary report, then move between the public call, the timecoded complete record and the short non-linear film. The three-language machine captions are navigation evidence rather than a human-final transcript.

participatory theatredocumentary reportmotherhoodrole rotation
texts
1
images
4

Every project opens into a wider history

Continue into the timeline for dated situations, follow the photographs and videos, or return to the global site for P4’s complete English writing.