P4 Theater
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P4 Theater projectP4E-002

Human Surrender / Shoot Self with You

人类投降派

Recruitment, rehearsal, testimony, performance and filming form a single long relational process. The work carries P4’s experiments with cameras and participation into a film without resolving them into one stable genre.

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Human Surrender / Shoot Self with You — NO ONE CAN SEE YOU. THE CAMERA CAN. | P4 TheaterNO ONE CAN SEE YOU. THE CAMERA CAN. | P4 Theater
Public YouTube video thumbnail · cy6z4itZ-hY
Project years
2023–2026
Related pages
95
Languages
English / Chinese

VISUAL TRACE / PUBLIC VIDEO FIRST

Project image slices

Thumbnails from public YouTube videos assigned to this project take priority. Archive images fill the remaining slots, and future reviewed uploads can enter automatically.

Human Surrender / Shoot Self with You — NO ONE CAN SEE YOU. THE CAMERA CAN. | P4 TheaterNO ONE CAN SEE YOU. THE CAMERA CAN. | P4 TheaterHuman Surrender / Shoot Self with You — Does a Zero-Star Person Deserve an Audience? | P4 TheaterDoes a Zero-Star Person Deserve an Audience? | P4 TheaterHuman Surrender / Shoot Self with You — Can an Intimate Scene Be Directed? Power, Gaze & the Camera | Human SurrenderCan an Intimate Scene Be Directed? Power, Gaze & the Camera | Human SurrenderHuman Surrender / Shoot Self with You — Who Owns an Intimate Image? | Shoot Self with YouWho Owns an Intimate Image? | Shoot Self with You

PROJECT CONTEXT

Enter the project

Theatre, documentary and fiction enter the same film process

Recruitment, rehearsal, testimony, performance and filming form a single long relational process. The work carries P4’s experiments with cameras and participation into a film without resolving them into one stable genre.

Continue from here

Follow the film through rehearsal, filming, performance and public responses, then continue to the English film guide.

filmtheatredocumentary relation

Chinese project description

P4 从剧场走向电影的核心项目。

Human Surrender guide

PUBLIC YOUTUBE ARCHIVE

Every public moving-image record for this project

This section reads the production public archive and project relations directly. Registered ranges inside compilations remain separate records with exact YouTube playback positions; private masters and local paths never enter the page.

Archive records104YouTube videos104
00:00–08:45
P4-YT-cy6z4itZ-hYNO. 0001

NO ONE CAN SEE YOU. THE CAMERA CAN. | P4 Theater

An English essay film returns to Human Surrender through a white cloth that fails to erase the body, a camera already running, a borrowed first person, and credits that do not end with the room. It asks how the camera claims a moment, how a proxy voice borrows another person’s “I”, and how future viewers enter the relation. This is a new editorial interpretation, not a replacement for the public screening edition F1riPOyQuCI.

YOUTUBE · cy6z4itZ-hYDate unknown
P4E-002 · Human Surrender / Shoot Self with You
Open record YouTube

CHANNEL-LEVEL RELATIONS

Project videos from the complete channel register

These public videos have a reviewed relationship to this project in the complete channel register but are not represented among this project’s curated records above. Video-level records are added here and deduplicated by YouTube ID.

27 deduplicated channel videos
0:17
P4 SHORTNO. 0078

No Eye Contact. One Actor Faces Outward. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: Three performers share a scene, but one must face outward. What changes when eye contact disappears?

Derived from public video metadata (not from subtitle text)

Aug 9, 2026

Open video record YouTube
0:19
P4 SHORTNO. 0079

What Does “Above” Mean Here? #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: A rehearsal direction turns one ordinary word into a question about bodies and power.

Derived from public video metadata (not from subtitle text)

Aug 9, 2026

Open video record YouTube
0:19
P4 SHORTNO. 0080

Who Was Outside the Scene? #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: Two performers were completely inside the scene. One remained outside it. Who was participating—and who was only watching?

Derived from public video metadata (not from subtitle text)

Aug 9, 2026

Open video record YouTube
0:17
P4 SHORTNO. 0081

What If the Howl Gets Inside You? #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: A voice is sent outward. The rehearsal asks what happens when its pain breaks back in.

Derived from public video metadata (not from subtitle text)

Aug 8, 2026

Open video record YouTube
0:41
P4 SHORTNO. 0083

Who Decides What Power Looks Like? #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: “No, then they’re equal. I want an imbalance.” A rehearsal turns a spoken rule into bodies, images, and a question the camera cannot settle.

Derived from public video metadata (not from subtitle text)

Jul 30, 2026

Open video record YouTube
0:20
P4 SHORTNO. 0084

She Left. The Role Stayed. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: One performer leaves the frame. Another takes the same place. Across a garden dance and a watched rehearsal, the people keep changing while the role survives. Are we watching a person—or a position?

Derived from public video metadata (not from subtitle text)

Jul 29, 2026

Open video record YouTube
0:17
P4 SHORTNO. 0085

Why Rehearse Love in an Empty Circus? #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: Beneath a shopping mall, an ice rink becomes a hidden stage. In an empty circus, one body enters; two make the vast room intimate. Is emptiness protecting them—or exposing them?

Derived from public video metadata (not from subtitle text)

Jul 29, 2026

Open video record YouTube
0:18
P4 SHORTNO. 0086

The Rehearsal Marked Them Back. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: A projected mouth covers a face. Then a real red mark lands while the audience watches from inches away. The rehearsal no longer leaves spectators outside the event.

Derived from public video metadata (not from subtitle text)

Jul 29, 2026

Open video record YouTube
0:46
P4 SHORTNO. 0089

Is the Actor Already Directing the Camera? #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: Before she bends, she imagines how the frame will see her. The director recognizes the same habit from his own acting: carrying the camera inside himself. This P4 Theater field note asks when performance becomes self-surveillance—and what changes when an acto…

Derived from public video metadata (not from subtitle text)

Jul 20, 2026

Open video record YouTube
0:22
P4 SHORTNO. 0091

The Body Remembers the Rehearsal. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: Before intimacy, there was rehearsal: a page, a pause, a hand placed and removed. The script disappears, but repetition remains in the skin. Does rehearsal make a gesture false—or finally real?

Derived from public video metadata (not from subtitle text)

Jul 19, 2026

Open video record YouTube
0:21
P4 SHORTNO. 0092

You Were Never Outside the Scene. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: Everyone here is watching someone—across a table, across the water, across a bed. Even the person filming is being watched. When one face finds the lens, are you still outside the scene?

Derived from public video metadata (not from subtitle text)

Jul 19, 2026

Open video record YouTube
0:21
P4 SHORTNO. 0093

The Room Touched You First. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: The room touches you before anyone else does.

Derived from public video metadata (not from subtitle text)

Jul 19, 2026

Open video record YouTube
0:26
P4 SHORTNO. 0095

This Kiss Will Outlive Them. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: Bodies forget pressure, heat, and the exact moment someone pulled away. The camera does not.

Derived from public video metadata (not from subtitle text)

Jul 19, 2026

Open video record YouTube
0:22
P4 SHORTNO. 0096

She Caught You Looking. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: She looks into the lens—and the scene stops belonging only to them.

Derived from public video metadata (not from subtitle text)

Jul 19, 2026

Open video record YouTube
0:18
P4 SHORTNO. 0097

You See Two Bodies. There Are Three. #Shorts

This Short belongs to “Human Surrender / Shoot Self with You”. The introduction is derived from the public video title and description: You see two bodies. But the camera is already inside the relationship. It decides what becomes intimate—and what stays hidden.

Derived from public video metadata (not from subtitle text)

Jul 19, 2026

Open video record YouTube

The same records are indexed in the complete moving-image catalogue by project, title, archive code and YouTube ID.

Search every video for this project

PROJECT MATERIALS

Writing and events connected to this project

95 related pages

video

没人能看见你，镜头可以｜P4 剧场

一部回到《人类投降派》的英文论文电影，从白布遮挡、正在运作的摄影机、被借走的第一人称与未同现场声同步结束的字幕，追问镜头如何占有瞬间、代理声音如何借走他人的 “I”、未来观众如何进入这段关系。它是基于档案材料的新编辑阐释，不替代 F1riPOyQuCI 的公开放映版。

Open page
video

零分的人值得拥有观众吗？｜P4 剧场

一场关于戏剧评价的现场谈话，追问当评分从作品滑向创作者本人时，零分的人是否仍值得拥有观众。该片为《人类投降派》相关档案材料的编辑剪辑，不是完整电影或保存母版。

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