Films, rehearsal footage and photographs are not detached illustrations. Each record remains connected to a project, a date, its original page and the people who made the situation possible.
To interpret what these records document, begin with the main-site P4 Theater profile. Its place within the wider field is addressed separately in the guide to Chinese experimental theater; this page keeps P4’s moving images connected to the works and moments around them.
Film, theatre, recruitment, rehearsal and testimony held inside one long relational process.
START HERE · ENGLISH INTRODUCTION
What Is P4 Theater?
A concise route through P4's Beijing beginnings, its shift beyond the fourth wall, the cycle of recruitment, rehearsal, performance and documentation, and the archive's role in generating the next event.
Every public moving-image record, searchable by project
This catalogue reads the production public database directly. Registered time ranges inside compilations remain separate archive records, each linked to its project page, archive detail and exact YouTube playback position.
2 archive records across 2 YouTube videos · P4C-009 杀死那朵玫瑰花
A handheld record of audience arrival, the host introduction and an incomplete performance opening, ending before a verified 53-minute gap in the surviving record.
The public screening edition is presented beside an English-subtitled trailer. The wider film page connects the finished work to The Last Rehearsal, production footage, interviews and later responses.
This 41:30 compilation reconnects rehearsals, Sunday screenings and project situations around Cocoon, Howlers on the Rooftop and Middle Road Against Love.
The compilation forms one continuous route through thirty-seven clips. Each clip also remains connected to its own project and date.