MOVING IMAGE · REHEARSAL · PHOTOGRAPHY
Films, rehearsal footage and photographs are not detached illustrations. Each record remains connected to a project, a date, its original page and the people who made the situation possible.
To interpret what these records document, begin with the main-site P4 Theater profile. Its place within the wider field is addressed separately in the guide to Chinese experimental theater; this page keeps P4’s moving images connected to the works and moments around them.
FEATURED LINEAGE
Film, theatre, recruitment, rehearsal and testimony held inside one long relational process.
START HERE · ENGLISH INTRODUCTION
A concise route through P4's Beijing beginnings, its shift beyond the fourth wall, the cycle of recruitment, rehearsal, performance and documentation, and the archive's role in generating the next event.
English narration · English subtitles · 6:38
COMPLETE CHANNEL REGISTER
The catalogue below contains curated project records; the complete register is deduplicated by YouTube ID.
PUBLIC YOUTUBE CATALOGUE
This catalogue reads the production public database directly. Registered time ranges inside compilations remain separate archive records, each linked to its project page, archive detail and exact YouTube playback position.
14 archive records across 14 YouTube videos · P4C-008 Middle Road Against Love
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00:00–01:12:35Complete 1080p public-access copy of the 30 April 2021 performance, recorded from a second-row audience camera; duration 01:12:36.
YOUTUBE · amueOPifx0Q
00:00–01:22:15A second complete 1080p public-access performance record from an iPhone camera; duration 01:22:16, providing a complementary angle to the second-row camera.
YOUTUBE · r0Mn3MkOEMI
00:00–00:26Public archive access copy: Trailer Soundtrack B.
YOUTUBE · 0ixz5IRjnhw
00:00–00:07Public archive access copy: Trailer Soundtrack C1.
YOUTUBE · 0JaDrcqyUNc
00:00–00:23Public archive access copy: Trailer Soundtrack A1.
YOUTUBE · 3LxYv_KV8Wg
00:00–02:23Public archive access copy: Short Materials Compilation 01.
YOUTUBE · 5AQWLb1_ILM
00:00–15:30Public archive access copy: Interview Record 07.
YOUTUBE · d7IDjuVWDRs
00:00–15:54Public archive access copy: Interview Record 04.
YOUTUBE · IfyyJ0g4pqM
00:00–15:54Public archive access copy: Interview Record 03.
YOUTUBE · nhO-VFz039g
00:00–22:52Public archive access copy: Interview Record 06.
YOUTUBE · o9TtRmKE11s
00:00–00:29Public archive access copy: Trailer Soundtrack Mino.
YOUTUBE · pVksAxTZgLU
00:00–18:05Public archive access copy: Interview Record 02.
YOUTUBE · r_ntSkKu5vA
00:00–18:04Public archive access copy: Interview Record 01.
YOUTUBE · SBSzFFMU1cM
00:00–00:55Public archive access copy: Trailer.
YOUTUBE · U4jpn-iFtXc
FEATURE FILM
The public screening edition is presented beside an English-subtitled trailer. The wider film page connects the finished work to The Last Rehearsal, production footage, interviews and later responses.
REHEARSAL IN FULL
Repetition, waiting and interruption matter here as much as a finished scene. These records retain the duration of collective work.
REHEARSAL · 1920×1080 / 15:48
A sustained view of the rehearsal room, its temporary set, performers and shared working process.
REHEARSAL · 02:29:26
The first long section of a rehearsal day, retaining pauses, repetition and changes in relation.
REHEARSAL · 01:29:57
A long-form record of action, interruption and collective work in the later rehearsal period.
P4 MOVING-IMAGE COMPILATION / 2020–2021
This 41:30 compilation reconnects rehearsals, Sunday screenings and project situations around Cocoon, Howlers on the Rooftop and Middle Road Against Love.
The compilation forms one continuous route through thirty-seven clips. Each clip also remains connected to its own project and date.
Open on YouTubePHOTOGRAPHY AS SEQUENCE
Eighty-five photographs are kept in shooting order so that bodies, distance and changes in the room remain legible as a sequence.
Browse all rehearsal photographs
